"REEEEEWIIIIIIND!!!!…1991 Pt.V

Posted by: Eric  //  Category: Uncategorized

Del Tha Funkee Homosapien-I Wish My Brother George Was Here


Let’s state the obvious. Most of you may already know that Del was indeed the “little” cousin of then West Coast stronghold Ice Cube. We also know that Cube handled the duties of Executive Producer on “My Brother George…” ( what does and executive producer do anyway?? I sure do see Jay poppin‘ up as executive producer everywhere), but would one dare to say that this release paved the way for much of the thriving underground LA underground scene that would soon include Del’s Hieroglypics co-horts as well as the likes of the Freestyle Fellowship? I mean really, who actually bought the Fellowship’s debut? You where probably much like me and didn’t catch on until “Innercity Griots“. If not, it’s hard to disagree with the fact that Del’s debut would’ve been considered ahead of it’s time when it was released. You must admit, with songs like “Mistadobalina“, “Dr Bombay” and “Sunny Meadowz” you had to have been a bit confused after the first few listens. This album was definitely a “grower” for me, being 13 at the time it was really difficult to grasp much of Del’s lyrical content. Once I did “catch on” it quickly became an album that I would enjoy for much of my High School years…especially “Sunny Meadowz” if you catch my drift. Even the production was advanced by 1991 standards, as the Boogiemen with a helping hand from Cube assisted Del with perfectly paired sound schemes for Del’s subject matter. This album is fairly overlooked in Hip Hop, as most of Del’s fans prefer his latter work, but I feel that this album was fairly daring for 1991 and more folks seem to have “caught on” as the years have passed by…-Eric

KMD-Mr. Hood


Damn, who would’ve thought the first time that you heard Zevlove X bust on 3rd Bass’ CLASSIC “The Gas Face” that he would develop this almost “cult-like” following and rise as the cream of the crop in this never ending quest for the “King of Ungergroundoom“? Not I, said the brown cow! In what was a a fairly decent rookie effort released on Elektra Records in 1991, “Mr Hood” featured playful rhymes & heavily sampled production provided in part by the SD50s. In what some folks labeled as a more lighthearted version of Brand Nubian (who also appeared on “Nitty Gritty”), KMD followed the footpaths of their aforementioned predeceases in many ways except for one….Lyrics! Thinking back on “Mr. Hood”, I can recall Doom’s errrr…sorry, Zevlove X’s voice being quite annoying throughout most of the album. Partner in crime, Onyx wasn’t really that impressive to me either and DJ Subroc (R.I.P.) well,….I can’t even remember if he added a few lines here and there or not. KMD’s first single “Peachfuzz” did develop quite a buzz upon it’s release as well as it deserved to, IMO it was aimed to be the most commercial friendly cut on “Mr. Hood”. I don’t know this is just one of those albums that really flew over my head in an era in which most of my listening consisted of Public Enemy, BDP, The Geto Boys and N.W.A. Basically, I just wasn’t trying to hear these Native Tounge knockoffs…sorry. While, I’m sure I receive a few negative comments in the C Box for the overview of “Mr. Hood” (Lord knows, that half the Internet’s population consists of die-hard “Doom” fans) it just wasn’t up to par with the group’s “halted” second disc “Black Bastards”. I’ll take “One For All”, “A Future Without A Past” or “A Wolf In Sheep’s Clothing” anyday over “Mr. Hood”…-Eric

Ice-T-O.G. Original Gangster


Where do I begin when breaking down Ice T’s 1991 opus “O.G. Original Gangster”. Well, first of all I became familiar with Ice T’s work through an album cover. What do I mean? Well, if you know you’re history you too should be very familiar with the cover art for T’s 1988 CLASSIC (no, I don’t think it’s a classic) “Power” which in my opinion (thanks to the appearance of his wife or then girlfriend Darlene) was a damn good idea to feature here so beautifully clothed beside Ice and his DJ. Talk about twisting a young 11 year old’s mind, and instantly making “Power” a must have! Clever marketing scheme Ice! For those of you who have absolutely know idea what I’m referring to click HERE to see just what I’m talking about. Getting back to business, I really got into Ice T around the time the film which he was featured in (New Jack City) hit the silver screen along with the accompanying hit that shared the same name as the album title, which featured slammin‘ (oooohhh! slammin, now that’s really takin‘ it back to 91′) production from then Low Profile (along with WC) and Rhyme Syndicate member DJ Aladdin, who also contributed 6 cuts in all for “O.G….”. Whatever you were lookin‘ for this album had it, from social commentary to violent storytelling to sex,sex and more sex. If you walked away after hearing “O.G. Original Gangster” wanting more you probably weren’t listening in the first place. Of course, this review or should I say “analysis” of Ice-T’s finest piece of work is coming from quite possibly the worst Ice-T fan ever. I’ve never been big on anything that Ice-T put out, even though many folks have labeled albums such as this coupled with “Power” as Classics…I’ve just never really caught on the way some cats have. In the end though, there is no denying that this album was dope from start to finish (as much as I hate to say it). There is no doubt that Ice-T won’t make your list of “Top 100 MCs“, but it is what it is and Ice-T has served as a very important factor in Hip Hop History. Who can forget the whole Body Count ordeal? What was I thinking? I mean, blasting the L.A.P.D. is all good, but doing it with a heavy metal group? C’mon Ice, we never fell for that sh*t! If for nothing else, Ice has had a damn good taste in women. Although, his new wife is made of soo much plastic that I’d be petrified to pump gas next to her for fear of spontaneous combustion. All I know is that Ice-T must’ve had some damn good lighting for the cover shoot for this album, I can’t ever remember dude being that swole. Oh, and I almost forgot….For all those fans of the infamous Darlene cover from “Power” check out THIS tee. Seriously though, check this album out for a nice little trip back to 1991. As a matter of fact, I think that this album was released around this exact same time of the year in 91′…who knows, maybe it’ll be good for a few summertime plays for you. Enjoy!!…-Eric

Ultimate Force – the remix

Posted by: Staff  //  Category: Hip Hop

Sup, people, I don’t really have much time since I just came home from my 7 days -only – drink -beer -and -vodka -eat -burgers -and -pizza -while -driving -with -a -nine -seater -2500kilometers “holiday” to celebrate the end of my school days having successfully passed all of my 9 exams. Well I will quickly quote Jaz from coldrockdaspot what he posted over at discogs considering the following album:

“Never before released, album from legendary Bronx producer Diamond D (then known as the Supreme Diamond D) and MC Master Rob.

Jazzy Jay has re-mastered this album and finally released it to the public, 17 years after it was originally supposed to be released.

The album is a Special Edition Extended Play Double Disc includes all album tracks as well as full instrumentals and acapellas for each song, thirty six total cuts, housed in a deluxe six-panel digipak with additional liner note booklet written by Brian Coleman, with input from Master Rob and Diamond D themselves.”

Well off course since it took only 17 years to be relased, I’m not going to post this simply up here and leave you with this, no! So to finally give you the hunger for more, leading you to finally decide to go into your favourite record shop or website and buy this, I’ll post the remix album from StA who is also from Luxembourg and who I used to know when I was little. In my opinion he did a great job remixing those 11 tracks, so go get them and if you like he’s stuff go check his myspace page and finally go out and buy the original copy as I did immediately after hearing the remix album.

Here’s what he had to say about the remixes of the Ultimate Force – I’m Not Playing album:

hi

my new record is out. It’s a remix of the ultimate force album I’m not playin…
check it out on www.partnergeschwader.de for free download.

peace StA
download here (covers included)

Chris

Eric's Most Played For The Week

Posted by: Eric  //  Category: Uncategorized


Most Played

  1. “Ride Thru It”-Ill Poetic…Be prepared, he’s going to pop up quite a bit on my “Top 10″ this week. I couldn’t tell you if this is my favorite cut from “The World Is….” or not…it’s definitely one of those albums were it’s difficult to pick up a true favorite.
  2. “Yellow” (Remix)-Illogic f. Ill Poetic & Homeskillit…I saw that Ill Poetic produced this joint so I downloaded it from Itunes just outta’ curiosity and boy, what a pleasant surprise! I just can’t say enough about dude’s production!….Bangin‘!!!
  3. “Loyalty”-Blue Scholars…Arrrghhhh!!! Enough already!!! I can see your face of displeasure right now, but this cut still sounds as fresh as it did the first time I heard it! And they say that Hip Hop is dead…What????
  4. Ya’ll Should All Get Lynched”-NYOil formerly known as Kool Kim of the UMCs..I’ve seen the video on numerous blogs over the past month or so but damn…..Kim is HEATED! I can’t stop playing this for the simple fact that it blows my mind that this is Kool Kim!!
  5. “Brown Sugar” (Beatminerz Remix)-D’angelo f. Kool G Rap…Praise the Lord…Finally!!! Thanks to everyone who e-mailed me a link for this track, now I have enough links to keep me happy until I’m at least 65. Still, if you’ve never heard this it’s a step up from the original…plus, having Kool G Rap for a verse or two doesn’t hurt matters either.
  6. Makin Nat’ Green”-E.S.P…..like I said in my THOUGHTS for the week, I slept on “Valoompadoom Pink” big time. The only downside to the album is that one of the MCs sounds like a more lyrical Father MC.
  7. “Scratch Bring It Back”-EPMD…Erick Sermon starts things off with lines like “squezin‘ my Reebok pumps to Kriss Kross then Jump” and Parrish knocks it outta’ the park with his verse over a classic Hit Squad production…”Record mode, set the EQ for Dolby”….CLASSIC!
  8. “The Junk Off”-Junk Science….Trav put me on to this one and I was kinda’ skeptical about this album at first but it’s really taken it’s toll on me for the better. Real nice breakdown on this cut with the word “Science” (KRS vocal) being cut in nicely behind the crowd’s chant of “Junk”….shit, just listen to it and you’ll see where I’m comin‘ from.
  9. “Shut Em’ Down” Pete Rock Remix-Public Enemy….do I really need to say anything about this joint? Good for a few Summertime memories. I remember Pete also did a remix for P.E.’s “Nighttrain” but I can’t quite remember what it sounds like…if someone has this please shoot me an e-mail. Thanks in advance.
  10. “Tears” Loc’ed Out Vibe Remix-Da King & I….from one of my favorite “One Album Wonders” (BTW, Da King & I should just link up with Yaggfu Front…form a supergroup of sorts and comeback with some ish for datazz), picked this one up over at “Time4sumaksion“. It’s hard to one up the album version of “Tears” but this remix does a damn good job of coming pretty close.

Re-Ups, Requests, Re-Do's, Rehab, Reposts, ReRead…You Get The Picture

Posted by: Travis  //  Category: Hip Hop

**Be sure to vote in the new tourney group posted in the post below**

I finally wrote down all the requests and reups people have been asking for (I hope). I’ve noticed a lot of the zshare links have been dying rather quickly. I’m not sure if this is due to zshare cracking down on downloading or if it’s our resident deliquent fucking with them. None the less, I’m going to go back to Sharebee for these, sorry if it fucks anyone up, but I’m not left with a lot of choices (I’m not sold on Mass Mirror yet).

I have a couple requests myself. First one is a shitty bass album that got some play during the summer of ’96, but nostalgia can be a bitch. Quad City DJ’s – Get Up & Dance
The second one is something I posted up myself, but didn’t get to it before the link got pulled. That would be the Atmosphere Headshots Vol 1 that I posted up. Thanks in advance….
I apologize in advance for any re-ups I might have missed. Once you get over 30, your memory starts going, so if you sent an email or asked for a re-up in the cbox and I missed, just politely remind me again. Also if you post a request in an older comments section, there is a good chance I won’t see it. After a post has been up for a week, I stop checking comments pretty much and the email that the comments requests go to is so full of crap, it’s hard to tell whats what, so you are better off asking for requests in the cbox.

For once we have less of me and more of you…which might be a bad thing, but what the hell (I know, I know, a bad Jim Rome rip-off)…..lets jump on into it.

A1 Intro (1:48)
A2 On A Vibe (3:20)
A3 Time To Shine (2:59)
A4 Check It Out (3:20)
B1 Constantly At It (2:15)
B2 Rock A Show (3:43)
B3 I Thank God (3:53)
B4 Chill Out Zone (2:52)
I can’t remember if I’ve posted this before. I want to say no, but I’ve posted so much shit in the past year and a half that I’m losing track of it all. This is an NY duo consisting of Jack The Ripper and J. Blackstar. They were heavily involved with the D&D studios in the mid/late 90′s, but never really release more than this EP. If you are into the NY underground and the kind of stuff that appeared on Primo’s NY Reality release, then this right here is for you.

Cenobites – The Cenobites LP (Fondle ‘Em, 1997) (This is the original wax version, no the CD re-release, hence the missing track that didn’t appear on the LP version)
A1 Lex Lugor (3:50)
A2 I Was Forgotten (3:48)
A3 Kick a Dope Verse (4:09)
A4 Mommy (3:19)
A5 You’re Late (3:44) Rap [Featuring] – Percee P
B1 Rhymes I Sniff Aka Carlos Died (4:13)
B2 Keep On (4:34)
B3 How The Fuck You Get A Deal (5:38)
B4 Kick A Dope Verse (Remix) (4:13)

I can’t remember if I re-uped this not too long ago or not, but if not, here it is now. As I mentioned on top, this is the wax LP version that Polarity himself ripped from his collection and it doesn’t include one song that the CD version had. For those of you not up on this, this is Godfather Don and Kool Keith before Keith got all spacy and shit. Excellent album, grab if you’ve missed the first 5 or 6 times I’ve posted it up here.

A1 Davy’s Ride (3:43)
A2 Get Busy (We Ain’t New To This) (2:53) Featuring – Hurricane
A3 Keep Your Distance (3:58) Featuring – Hurricane
A4 Feel For You (3:11)
A5 Bustin’ Loose (4:39) Featuring – Hurricane
A6 Your Love Is Like Money In The Bank (1:36)
B1 Live On Hollis Day (3:02) Featuring – Hurricane
B2 Ohh Girl (4:31)
B3 Have You Seen Davy (3:22)
B4 Do Ya Do (3:31)
B5 Bring It (3:51) Featuring – Russell Simmons
B6 Let’s Rock (1:43)

Someone sent me an email yesterday wanting this after reading about it on the Philaflava tournament thingy going on. It doesn’t include “One For The Treble” but it’s not all that bad. Kind of in that Afro’s, Hollis Crew, Run DMC, Hurricane vibe that all those artist seem to have going at the time.

No track listing

I’m not even sure this is a legit project, since I can’t find shit about it anywhere, but then again its filled with songs I’ve never heard before. The tracks are not named which kind of sucks. Deacon is pretty much the lead MC for Cunninlynguists which are one of my favorite groups out now a days. This is kind of lack luster, only a couple Kno beats I can pick up on, not sure who did the others, maybe his own stuff

01) D-Flow & A-Bless: ‘Ridin and Rollin
02) Brand Nubian & Diamond: ‘I Flip Styles’
03) Fat Joe & Big Pun: ‘Best Behaviour’

05) AG & Diamond: ‘Put it in Your System’
06) DITC: ‘Stick Up’
07) OC: ‘Half Good, Half Sinner’
08) The Omen (Sadat X, Diamond & Kamari): ‘It’s Our World’
09) DITC: ‘Dignified Soldiers RMX’
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10) Diamond: ‘With The Dope Sound’
11) OC: ‘U-N-I’
12) Milano: ‘Deal With A Feeling’
13) Big L: ‘How Will I Make It’
14) A-Bless: ‘My Life’s On the Edge’
15) The Omen: ‘Do It Now’
16) Diamond: ‘The Hiatus RMX’
17) OC & Showbiz: ‘Showtime’
18) Sadat, Diamond & Finesse: ‘You Can’t Front’
19) A-Bless: ‘That’s Bless’
20) Fat Joe & Big Pun: ‘Best Behaviour RMX’
21) DITC: ‘Themes, Dreams & Schemes’
22) Lord Finesse: ‘In The Ghetto’
23) A-Bless, Party Arty & D-Flow: ‘Rap Game’
24) The Omen: ‘Get On Up’
25) A-Bless, OC & Party Arty: ‘Bad Reputation’.
26) John Dough, Big Red, K. Terrobul & Ras Kass: ‘You’re in the Wrong Place’
27) DITC: ‘We Known For That’
28) Milano: ‘Rep For The Slums’
29) Big L: ‘Put It On RMX’
30) Party Arty, A-Bless & AG: ‘Hold It Down’
31) Diamond & John Dough: ‘MC2’
32) DITC: ‘Wildlife Theme’
33) OC & Jay Z: ‘Bonafide’
34) Lord Finesse & Diamond: ‘Do Your Thing RMX’
35) The Omen: ‘Half Steppin’
36) Lord Finesse: ‘Down For The Underground’

I think the links for these were still good, but someone wanted to know if I could re-up them in something other than megaupload and since they caught me on a good day I went ahead and did it. Plus this was back in Nov or so, and I know some of y’all are too lazy to go back that far, so here they are again, and no corrupt tracks thsi time.

Not sure of the story behind these, these were another thing Polarity sent me (damn I need to send him his CD’s one of these days, no wonder he doesn’t post anymore). Mostly comprised of 12 inch releases and the such.

1. Into the Future
2. Soundwave Sermon
3. Common Knowledge
4. My Vision
5. Life Of an Entertainer
6. Hole In My Pocket
7. Something About It
8. Brainstorm
9. I’m Slammin’
10. The Rell Thing

No one mentions this all this album much and it’s not a bad album for the most part. I had completely forgot about this myself until a year or two ago. It was one of those tapes I had for awhile and disappeared never to be thought of again.

Rell sounds like a cheap rip off of Rakim, but is that really a bad thing?

1. Aggravated Mayheim
2. Mad Nigga
3. Record Deal
4. Life
5. Runaway Slave
6. Da Hood
7. What You Say
8. Da Bullet
9. Cold World
10. Me By Myself
11. Have You Ever Heard
12. Last Driveby
13. Kill Whitey

Knucklehedz – Strictly Savage, 1993 (Not Offically Released, though seems to be some promos floating around)

1. Hedrush
2. Savages
3. Wuntz Upon A Time
4. Party Wrecker
5. Uglee Picture
6. Girlies Keep Screamin
7. All She Wanted
8. Trouble Makas
9. 5 Hoods In A 4 Door
10. Who Called The Cops
11. Joy Ridin’
12. Merlin

If you don’t know what this, then you proably shouldn’t be downloading it haha…Short story about this since I’ve typed it a million times. These white boys were supposed to be the next in line in Hit Squad releases before the EPMD break up. It never happened, that coupled with the fact they were on East/West records who dropped more balls than Jose Canseco playing Center Field and they were doomed to be never heard from again. Some people say this was released, but I’m 99.9% sure it never was although there seems to be numerous promo copies floating around.

1. Autobiography
2. An All Out Bash
3. Motivated
4. Intermission
5. Take Heed
6. I Came Back
7. Motivated Reprise
8. My Bass In It
9. Let’s Get Physical
10. Make It Funky
11. King Of The Swing
12. I Bring The Funk
13. Meeting Of The Minds

If you’ve read this blog long enough, you’ll know that I’m a big fan of ADE’s “How Much Can You Take” which I will call the best Miami Bass album of all time. This was the follow up to that release. While not as good, it definately has its stand out cuts. This one is a little more “hip-hoppy” in the terms of music.

I bought this when it dropped way back then the day, only to lose it like probably about 50% of my collection over time. Dread at Bust The Facts hooked me last year but I finally broke down and bought a copy on amazon after searching all the local stores for it.

1. I like Cherries – Audio Two
2. Chillin’ – Audio Two
3. The Freshest Slow Jam – Audio Two
4. Where’s The Fellas – Alliance
5. We Got A Beat Pt 2 (Rough Rough) – Alliance
6. Why Oh Girl – Alliance

Round One, Group Three; Philflava Greatest 80's Song Tourney

Posted by: Travis  //  Category: Hip Hop

Philaflava Greatest 80’s Song Group Three

Lakim Shabazz – All True & Living Vs. DJ Jazzy Jeff & Fresh Prince – Brand New Funk

The Match Up
We have more 45 King production in the form of Lakim Shabazz’s “All True & Living”, which is a good thing since Mark was quite possibly one of the top three producers during the 80’s. “All True & Living” is honestly a song I didn’t pay much attention to when listening to “Pure Righteousness”, the LP that this joint comes from. I was more into the title track and “Black is Back”, but when I sat down and listened to this, it’s pretty damn funky. I should know where the sample comes from, but my recent love of discovering sample sources makes me appreciate this song more than I have in the past.

With that being said, it has a tough match up. “Brand New Funk” from Fresh Prince and Jazzy Jeff is probably one of their more “legit” songs. Some of the younger cats might not give Jeff and Prince their rightful due, since they kind of turned into a mainstream cultural icon, or at least Will Smith did. The fact though was, they got props back then. Sure they were kind of light hearted, but it was okay back then. Will wasn’t a incredible lyricist by any stretch of the imagination, but this song was just a fun track to listen to. The track was released as a single, after “Parent’s Just Don’t Understand”, which probably doomed it and wasn’t the best choice, but “Yo!” played it on a regular basis.

Trav’s Vote:
This match up actually turned out to be closer than I thought it would be. When I first saw it, I thought it was pretty much a no contest, but after listening to “All True..”, it became closer. When it comes down to it though, “Brand New Funk” just has more history and memories attached to it, and I hate to vote against the technically “better” song, I have to go with the one I like more….”Brand New Funk”.

Prediction:
I’m not really sure how people are going to vote on this one. I can see them going with the more traditional hip hop song with Shabazz’s joint, or maybe the popularity of Jeff and The Prince will overcome that. I think the more traditional joint will win out here with “All True & Living”.

Special Ed – I Got It Made Vs Fearless Four – Rockin’ It

The Match Up

One of those “Old School” vs “Next School” match ups again. Special Ed was loved when he came out, for his danceable songs and funny videos and “I Got It Made” was probably his most popular effort. The album’s producer, Hitman Howie Tee was on fire when this dropped in ’88. Ed was only like 16 or so when this dropped, but you didn’t really notice and the joint was HOT when it came out.


It’s going against one of the true classics in early 80’s hip-hop. How many times have you heard this song sampled or referred to in today’s music? And who said today’s artists don’t pay homage to the old school artists. It was one of my favorites as well, the jam just gets you up and make you want to break or shake your ass or something. It’s kind of one of the more “modern sounding” old school jams as well, at least in my honorable opinion.

Trav’s Vote: This is a tough match-up in my eyes. Not often am I going to go against a late 80’s classic since that’s where my favorite era lies, but “Rockin’ It” is just too hard to go against.

Predicition: Another match up that is hard to gauge the people’s opinion. I’m going to say Ed’s going to pull out though in a close one.

Fantastic 5 – Can I Get A Soul Clap Vs Eric B & Rakim – Microphone Fiend

The Match Up
I must say I’m shocked that “Eric B is President” didn’t claim the spot for Eric B & Rakim but I’m also kind of happy about since I was more into “Follow The Leader” than “Paid In Full” which might be viewed as hearsay in some circles. “Microphone Fiend” just has some great lines in it. This song is a classic reason why Rakim is viewed as one, if not the best MC of all-time. To me it was on the greatest songs to come out that year.

Another old school classic, although, my knowledge of “Can I Get A Soul Clap” is a little limited although I can appreciate it’s legacy.

Trav’s Vote: Fairly easy one in my book, Rakim is going to be hard to beat in any 80’s competition such as this and the old school legends won’t be able to knock him out of the tourney.

Prediction: I thinking blowout on this one…

LL Cool J – I’m Bad Vs Ice T – High Rollers

The Match Up
“I’m Bad” is one of those songs that is very important in my beginning introductions into hip-hop. LL comes off as hungry as anyone had ever seen at that point in hip-hop and of course who can argue with “eating Cool J cookies”. As I mentioned on the “Rhymin’ & Stealin” match up, both the Beasties and LL were in my walkman almost non stop back then. I knew every word to “Bigger & Deffer” and “I’m Bad” was my favorite song from the album. It was produced by the LA Posse, who used a sort of bare bones approach, but with LL it was a good thing, the beat would just let the lyrics come through.

I had a little chuckle seeing LL taking on Ice T. Not sure if it was done on purpose, but LL and Ice didn’t exactly see eye to eye. Ice took a shot at LL on “I’m Your Pusher” then LL throwing some haymakers on “To The Break Of Dawn”. Regardless, Ice T does what he does best on this track, kicking some hustler type rhymes over a funk beat. And if you didn’t like the actual song, watch the video, that’ll get you going just as well with all the fine ladies…..

Trav’s Vote: I love “High Rollers” but damn, I can’t go against LL on this one. “I’m Bad” is just that, bad, but bad meaning good….you get the point.

Prediction: This might be a close one, maybe LL’s present image will turn off some people and make it interesting, but LL should take this.

T La Rock – It’s Yours Vs Above The Law – Untouchable

The Match Up
This is a real interesting match up here. I was really happy to see an Above The Law song make it as they were always viewed as underrated in my book. “Untouchable” is in the similar vein as “High Rollers”, a pimpalistic tune that’ll make you want to buy a ’64 Impalla just to play this joint in. The beat is a classic Dre beat, (although ATL might argue about that) that just rolls out of a system and the lyrical content is on some hustler shit. Great song.

T La Rock dropped the classic “It’s Yours” as the first release from a young Def Jam label. It’s consider one of the precursors to Bass music with its booming 808’s kicking all across the track. T La Rock kind of got shitted on by Def Jam, but his legacy will never be forgotten because of this song. T La Rock was LL before LL was LL. He had a cocky attitude and is was shown on this track.

Trav’s Vote: As much as I want to vote for “Untouchable”, I just can’t. “It’s Yours.”

Prediction: I would think “It’s Yours” would get the win rather easily, but stranger things have happened.

Public Enemy – Black Steel In The Hour of Chaos Vs EPMD – You Gots To Chill

The Match Up

“It Takes A Nation Of Millions..” is one of the greatest albums to ever be released in the hip-hop game. The Bomb Squad painted mass hysteria on the beats and Chuck D’s booming voice made you think that Armageddon was near. “Black Steel In The Hour Of Chaos” symbolizes everything the album is, defiant, militant and in your face. The opening line is still a classic with Chuck saying “I got a letter from the government the other day..”, it just sets the mood. Also setting the mood is the dark piercing beat from the GENIUS Bomb Squad. The video also added to the song, back when videos were made to go with a song.

“It’s so simple. A Zapp sample? That’s so basic. The MC’s sound half-asleep. Why the hell do I love this song so much then?” That’s what I was thinking the first time I heard “You Gots To Chill”. It really is a rather simple song, but damn this shit just bumps and Erick and Parrish just flowed over the bassline so effortlessly. I still remember seeing the video for the first time (which was also the first time I heard the song), E Double and P rhyming in an ice factory or some shit and Stezo, there dancer at the time, dancing around in the back ground. The song is one of my all-time favorites.

Trav’s Pick: I really hate this one. No way these two songs should be going against each other in the first round. This is by far the most difficult match up of the tourney thus far. I love both songs and am truly torn on which one gets my vote. As much as a “Takes A Nation…” fan and of production of the Bomb Squad, I have to go with EPMD on this one, maybe. Then again after listening to “Black Steel..” for the 4th time while writing this up, I’m not sure who I’ll vote for until I push the button.

Prediction: I think PE will pull this out because it’s PE, but this better be close.

JVC Force – Strong Island Vs Eazy E – Boyz N The Hood

The Match Up
I remember first hearing of JVC Force from reading the “shout outs” on liner notes from tapes back in the day. It seemed like t
hey were mentioned on almost all the tapes I liked back in the day, yet I didn’t see them on “Yo!”. That made them more intriguing to me. I had more neighborhood record store order me a copy of the tape. The stand out track from that tape was “Strong Island” although I never held them in the same class as some of the other classics out there during that time. It’s a strong jam though and deserved more credit than it got.

“Boyz N The Hood” is one of those jams that some of us remember where we were at the first time we heard it. Not only is this song a classic song, it’s one of extreme importance. It basically ushered in the “Gangsta” era. It covered what people in the west coast were doing. Eazy wasn’t a great MC, but he was perfect for this song. It’s fairly common knowledge that Ice Cube wrote this song, but E did the joint in a way that made you feel like your homeboy was doing it.

Trav’s Pick: Boyz N The Hood, easily

Prediction: Boyz N The Hood just holds too much importance not to go on to the next round.

Grandmaster Flash & The Furious Five – The Message Vs MC Shan – The Bridge

The Match Up
One could argue that “The Message” maybe the single most important song ever made in hip-hop. Before “The Message”, hip hop was all about fun and partying. Once Flash and the boys dropped “The Message”, the game would forever be changed. I doubt many youngsters realize the importance of this joint.

“The Bridge” also holds an important place in hip-hop history. It marks the start of the “Queens/Bronx” wars and the battle between BDP and the Juice Crew. I’ve never been the biggest Shan supporter, but this is by far his best song he ever did.

Trav’s Pick: I might like “The Bridge”, but I can’t argue with “The Message”, which truly might be the most important song in the culture.

Prediction: I think everyone is smart enough to realize “The Message” needs to move on.

THOUGHTS

Posted by: Eric  //  Category: Uncategorized

  1. “SHOCKER” of the week….Does the man in the pic above look familiar to you?? Well, if you visit this “blog” you should know who it is. That’s right folks Kool Kim, better recognized as 1/2 of the UMCs. I was listening to Kim’s errrNYOils‘ “Hood Treason” briefly this week after seeing the “no frills” video for “Ya’ll Should All Get Lynched” (Damn, whatever happened to “Blue Cheese” dude?) and judging from the “skits/interviews” that appear on the album, the current state of Hip Hop has got him well….”pissed” would be saying it politely. I still need to give this joint a few “hard” listens before I comment any further. I can definitely see where dude is coming from though.
  2. Alrighty, everyone in the “blog” community already knows the hype that I created for Ill Poetic’s “The World Is Ours”. Most of your e-mail responses are in the vein of “Yeah Eric, I like the album too, the production is dope, but I’m just not feelin‘ the album as much as you are”. On the other hand, a handful of our readers do share the same regards for “The World Is Ours” that I do. Straight up and down, no BS…I haven’t played an album in succession like I have “The World Is…” in a long time. Truly, I’d have to say the last album that I enjoyed this much in recent memory was probably “Madvillinary” (and I’m not a Doom fan AT ALL) or well, I played “The Black Album” quite a bit when it first dropped as well. To truly enjoy Ill Poetic’s banger you have to listen to it with a good pair of headphones on to really appreciate the INCREDIBLE production that Ill handles himself. Honestly, this album has “blown me away”. After three weeks of listening this album has surpassed “The Weatherman” by far for my top album of the year. Believe it or not, I actually received Ill’s debut “Illumination” in the mail today and after about two full listens I’m extremely impressed with it as well. Oh, stay tuned this week…Ill was gracious enough to grant “When They Reminisce” interview privileges to hit him off with “20 Questions”.
  3. In my never ending quest to capture every album that I remotely recall listening to, I came across E.S.P.’s’ “Valoompadoom Pink” over at Bust The Facts. After sitting on my hard drive for the better part of two months I finally decided to give it a listen this week. While “Valoompadoom..” is by no means…”groundbreaking” it is a decent listen and the production (especially on “Makin‘ Nat Green”) is pretty dope. Correct me if I’m wrong here, but..didn’t Howie Tee do some of the production on this album? Yet, what would have been a great post for the Select Records “Selections” that I finished up last week.
  4. Oh, and guess who else is joining the likes of Marley Marl, Krs One & Kool Kim aka NYOil on the comeback quest? That’s right people, Krazy Drayz 1/2 of the duo diggedy Das Efx. Just stumbled upon this today at HipHopBootleggers. Check It Out HERE . Damn, I hope this double mix CD is better than Das‘ last album “How We Do”…that sh*t was a hard listen from one of my favorite duos.
  5. While we’re on the subject of “Duos”. Recently, Guru of the legendary GangStarr released “Jazzmatazz Vol. IV” which featured production mainly handled by Solaar (formerly the French MC Solaar). Has anyone heard this yet? If so, what’s the reaction?
  6. Damn, if you haven’t seen it already (prepare yourself for a PLUG) , I recently had the pleasure of being interviewed by the one and only Travis from the massive “Wake Your Daughter Up”..read it HERE. First of all, I must say thanks to Travis (who’s really taken me “under his wing” more or less in the “blogging” world) for the opportunity…you wouldn’t believe how enjoyable it was to just take an hour or two out of my day to touch upon something that I love so much. Secondly, for all the blog “authors” out there you need to jump on the opportunity when it presents itself. Trav does some a good job of probing and I’m sure you’ll receive the same gratification that I did as well when it’s all said and done. On a side note, a publication for my work that goes out to each of our, hell….I’d say hundreds of thousands of clients did a four page interview with me some time ago and I finally got a copy of it yesterday. That coupled with Trav’s interview and an interview with Ill Poetic on the way…let’s just say it was a damn good week! My wife said the only problem is my head’s havin‘ a hard time fitting through the door!
  7. I’m always up for new music recommendations. I know that I spend alot of time hippin‘ everyone to what I think is “gonna’ blow” and what I think is dope. Does anyone have any recent albums that fly under the radar that I may need to give a listen? I’m all open ears.
  8. Something else I just discovered this week. Lord Finesse produced Double XX Posse’s “Money Talks”? Damn, I never knew that and I play the hell outta’ that joint. I swear, if I ever make a movie that song is gonna’ serve as the opening theme music….the damn horns are RIDICULOUS!!!
  9. As promised this week….the drops have been more frequent and “WTR” is back up and runnin‘ the way it should be and this is largely due in part to the return of Rasul. Shit, I thought Ra had fallin‘ of the map at first. Extremely good to have him back, Ra fills a much needed void with this site (read: he doesn’t always agree with me….Ra, trust me Ill Poetic’s joint will grow on you..just give it time, ha ha!). Most importantly being an MC himself, he has a DEEP passion and appreciation for the art form we cherish. Good to have you back Bro!!
  10. Just a final thought, and I’m not tryin‘ to be overly sensitive or cheesy or self righteous here but…..If you don’t appreciate each day for what it’s worth or you think the world’s shittin‘ on you things could always be alot worse. So where is this cominspan>‘ from? Well, this past week I spent a little bit more time in my office than what I usually do and let’s just say…especially on those mid-summer days…I have a pretty good view out of my office window. Everyday though, I run into or watch this fellow….struggle to make it through the front doors of our office building. When I say struggle, I mean it’s almost like “Turn your head the other way, it’s too painful to watch him try to walk” painful! He works in the office across from mine at the Arkansas Agriculture Dept. Literally, this man has to be partially paralyzed or something related to that…I mean, I’ve literally never seen anything or anyone struggle like this to get from Point A to Point B. While I have spoken to him in passing, a simple “Hello” or “How ya’ doin” at the most, I’ve never had the courage to ask him what caused his paralysis. He still drives and does everything that you or I do, it just takes a helluva’ lot more time & effort. He has to go through about two pairs of sneakers a month because when he walks he drags the insole of his left foot violently across the hot concrete. Where I’m getting at is this fellow is one of the nicest people you’ll ever meet, I have NEVER pulled into our office parking lot and not seen his truck (an old beat-up Ford Ranger) there..meaning he never misses work. I mean, that sh*t would have to suck….I’ve never seen anything like this, most people would revert to a wheelchair or walker but not him! Sh*t, I really don’t no where I’m going with this but it just really put things in perspective for me today and made me appreciate all that I’ve been blessed with.

Phila Flava Greatest Song Of The 80's Tourney/ Bobby Jimmy Re-Ups

Posted by: Travis  //  Category: Hip Hop

I don’t frequent many forums these days. The seem to “cliquish” at times, that coupled with a lot of juvenile like behavior from, well, juveniles and I a lot of them just turn me off. They do have their good points as well. There can be some very smart cats on them that are like a book of knowledge. Then you can find some treasure trove of lost gems if you find the right forum or just a released album to “preview”. They can be a great way to kill time when you are bored or trying to avoid doing anything constructive. I do check a few of them out a couple times a week, mostly in “lurker” status. I have been a long time member of mastaace.com boards. That board is a little different, there are about 20 of us that are active and the boards don’t even accept new members, so it’s pretty laxed. I’ve been known to frequent the justus league forums from time to time as well as they seem to have more of a “mature” crowd on their for the most part, kind of like an early version of okayplayer before it became a hip hop household name. One forum I’ve found myself checking about five times a week is the Philaflava forum.

The forums are fairly massive in the amount of different boards you can go frequent and the crowd there is one of fairly knowledgeable people. Sure you have your village idiots, but any forum with this amount of people is bound to have that, but it’s far better than some forums, which I won’t mention by name…..
One way Philaflava is different is that they always offer creative polls that encourage debate and jovial banter among the posters. Debate can be great when it comes to hip-hop, it’s one of the reasons I started a blog and these polls are great tools for discussion. In the past month, they’ve also started a sort of “hip hop fantasy” tournament. The first one pitted obscure hip-hop artists against each other in a tourney of 64. Sure, it’s kind of geek like in nature, but you’re reading a blog, so save it.

The current tourney covers a topic that is near and dear to my heart, the greatest 80’s hip-hop song. It all started in the T.R.O.Y. section, which I would like to see more members after the loss of the Cocaine Blunts board. Members nominated tracks, then the monitors narrowed the field down to 64. I’ll admit, my field would probably look a lot different, but that’s part of the fun. It wouldn’t be much fun if all my favorite teams made the NFL playoffs every year (I’m still pissed that “Greatest Man Alive” didn’t make it though..haha). Next, they group the field together to form eight match-ups per group (16 songs for those of you mathematical challenged people) and post up each “group” every third day while people vote on them.
They also include mp3’s of the songs in the match-ups with each new group so the voter can make an “informed decision”. I think it’s an interesting idea, one which I’ll follow, if nothing else just so I can make sure my favorite songs go on in the tourney.

Group 1

The first group of eight match-ups just ended yesterday

K Rob vs Rammelzee – Beat Bop
Vs.
Jungle Brothers – Because I Got It Like That

Trav’s Vote: Beat Bop
Winner: Because I Got It Like That 19-11

Run DMC – Beats To The Rhyme
Vs.
D.O.C. – Whirlwind Pyramid

Trav’s Vote: Beats To The Rhyme (of course)
Winner: Beats To The Rhyme 25-4

Cold Crush Brothers – Fresh, Fly, Wild & Bold
Vs.
Slick Rick – Children’s Story

Trav’s Vote: Children’s Story
Winner: Children’s Story 28-1

Whodini – Five Minutes Of Funk
Vs.
Cool C – Juice Crew Dis

Trav’s Vote: Juice Crew Dis
Winner: Juice Crew Dis 16-15

A Tribe Called Quest – Luck of Lucien
Vs.
Kool G Rap – Men At Work

Trav’s Vote – Men At Work
Winner: Men At Work 29-5

Tuff Crew – Behold The Detonater
Vs.
Treacherous Three & Spoonie G – New Rap Language

Trav’s Vote: New Rap Language
Winner: New Rap Language 18-2

NWA – Straight Outta Compton
Vs.
Gang Starr – Words I Manifest (remix)

Trav’s Vote: Straight Outta Compton (tough one)
Winner: Straight Outta Compton 37-9

Funky Four + 1 – It’s The Joint
Vs.
Busy Bee – Suicide

Trav’s Vote: It’s The Joint
Winner: It’s The Joint 23-2

Second Group (The Match Up Links will Take you to links for the songs)

The second group of eight match-ups was posted up today with some interesting match ups.

45 King – 900 Number Vs. Super Lover Cee & Casanova Rudd – Do The James

The Match Up
This match up is probably one of the tighter duels of this group. You have the “900 Number” which contains the classic loop that is better known as “The Ed Lover Dance” for us old fogies that watched “Yo! MTV Raps”. It’s produced by the legendary DJ Mark The 45 King, who is highly underrated in my book. It’s defines “funky” and is a classic in the realms of the hip-hop world and 80’s hip-hop. I do find it kind of hard to vote for something that is essentially an instrumental, but what an instrumental it is.

It’s going up against one of the more underrated groups in my opinion of the 80’s era hip hop, Super Lover Cee & Casanova Rudd. The track has production from the legendary Paul C, who was the master of the drums during this time and on the album from which this track came from. Personally, I probably would have went with “Girls, Got

"West Coast" Wednesday…Geeyeah!

Posted by: Eric  //  Category: Uncategorized

Compton’s Most Wanted-Music To Driveby


Geeyeah! Being from Pennsylvania, I grew up on the likes of Pete & CL, GangStarr, Run DMC, Public Enemy and EPMD. All I can say is thank God for N.W.A., had it not been for “Straight Outta’ Compton” I highly doubt that my ears would have ever been introduced to Compton’s Most Wanted’s “Music To Driveby”. What a shame that would’ve been. This was released slightly before (well, not really….about two years) the timeframe that “Menace II Society” was poppin‘ off and introduced the world to the one & only MC Eiht (Geeyeah) who hit the nail “head on” with his portrayal of “A-Wax” (it really seemed as if Eiht really didn’t have to get “out of character” for that role did it?). Preceding “G Funk” classics such as Dre’s “The Chronic” & Snoop’sDoggystyle“, CMW’s “Music To Driveby” used to bump in the Honda Civic “hatchback” on a regular basis. Listening to “Music To Driveby” today…well, I can’t front it does sound slightly outdated, but back in 92′ boy this sh*t knocked! Armed with a heavy array of Isaac Hayes/Barry White samples DJ Slip & MC Eiht did truly provide you with “rider music” not that bullsh*t “Ryder Music” that 50 is talkin‘ about either. There’s not a whole lot to mention about MC Eiht that you don’t already know…..he was definitely “one of a kind” with his immediately identifiable “drawl”. Let’s not overlook DJ Slip’s skills on the wheels of steel, as witnessed on “Who’s Xxxxing Who?” where you can literally feel Slip slicing the record right through Tim Dog’s (Fu*k Compton) chest plate. Oh, and tell me Eiht wasn’t going at EVERYBODY on “Music To Driveby” for a little sample check out “Duck Sick” (DJ Quik gets it), the aforementioned “Who’s Xxxxing Who?” (damn, it’s not so much Eiht’s hostile lyrics on this record, but more so Slip just slicing Tim’s vocal samples to death) and “Def Wish II” (yet, Quik again). To me, this is an overlooked but just as important a record for the West Coast as say…..”The Chronic”, “Ni**az4Life” or “Doggystyle” and it also served as CMW’s best piece of work…-Eric

Ice Cube-Lethal Injection


In what may be best described as the beginning of the end for Ice Cube’s solo career as an MC, Cube’s 1993 release “Lethal Injection” was not only a major disappointment to me but also the majority of Cube’s “die hard” listeners. Following on the heels of the post-LA riots, testosterone induced “The Predator”, Cube traded in the grimey sound lent from DJ Muggs of Cypress Hill for the more “laid back” G-Funkish rhythms of QDIII (Quincy Jones’ son) who produced over half the tracks on “Lethal Injection”. The feel good induced rhythms on tracks such as “You Know How We Do It” (which was actually a pretty dope single) & the 11 minute (yeah, 11 minutes!!) yawner “Bop Gun” which also featured vocals from Paliment’s George Clinton. Realistically, expecting the quality that Cube displayed on his previous three albums (“Amerikkkas Most Wanted”, “Death Certificate” & “The Predator”) and an equally important EP (“Kill At Will”) may have been demanding too much of Cube. Personally, I feel that the passion and effort just wasn’t there on “Lethal Injection” and maybe he was just trying to feed his acting “bug” as opposed to delivering a dope album. The enthusiasm and even more so…the aggression, that made Cube one of the most in demand and popular MCs (West Coast or East Coast) from 1990-1993 was nowhere to be found on this album. Were this album released from the likes of another “lesser known” West Coast artist say….hmmm, Ahmad or Poppa LQ than the album would suffice and we would’ve probably crowned it as a success for either of the two aforementioned artists. But C’mon man, this is CUBE and to be quite honest “Lethal Injection” was the last Cube album I ever purchased. OK, maybe that’s a bit of a stretch….I DID purchase “Bootlegs & B-Sides” just for the remix of “What Can I Do”. One thing that I found particular intriguing while searching for the cover art for “Lethal Injection”…apparently, there was an Ali Shaheed Muhammed (ATCQ) remix of “What Can I Do”. Have I been sleeping under a rock for the past 14 years? Has anyone else heard of this remix? I know that the video version of “What Can I Do” was indeed included on “Bootlegs & B-Sides” but I don’t think that it was the “Eastside Remix” done by Ali Shaheed Muhammed. In closing, am I pissed that I wasted my hard earned $9.99 for the cassette of “Lethal Injection”? Probably not, but I am pissed that Cube put out such an uninspired, lackluster follow up to his previous three CLASSICS. If you did enjoy this album, it had to be one of your very first Cube purchases or you had to be a “die hard” Cube fan…..and I mean DIE HARD!…-Eric

Eric's "Top 100 Tuesdays" (68-70) with commentary by….Guess Who's Bizzack?….RASUL!!!!

Posted by: Eric  //  Category: Uncategorized

68. Ghostface Killah-Supreme Clientele


1995′s “Only Built For Cuban Linx” is arguably one of the best Hip Hop albums of all time for many eclectic reasons: It contained some splendid production challenging the technique and method of other beatsmith at large, it portrayed some of the most notable lyricism up to this very day, and most of all, it legitimized east coast artist to fabricate some outlandish gangster chronicles (do the math). So anything, or anyone, stemming out of this masterpiece of rare comparison, should head for glory and fame. Well, presumably… While the leading head honcho Rae turned himself to sorrow, grief and eternal immaterialnesss for reasons beyond my intellect (I actually do have some suggestions), Ghost managed to stay relevant and in popular demand up to this very day! Personally, “Supreme Clientele” flew beyond my apprehension and has never been one of those albums that I would go back and listen to and celebrate! Back in 2000 when the album hit the shelves, your boy was too busy doing everything at the same time (read the “I Am”-Post and you’ll get an idea) and this joint didn’t quite hit me with a baseball bat- and me growing exuberantly tired of the whole Wu-Movement played a major role too. So what did I find when I bumped the 20-something strong “Supreme Clientele” after Eric asked me to write a few lines on it? Pure bliss!!! I knew half of the songs by heart (the beautiful “Nutmeg”, “Saturday Night”, the Hassan of the late UMC’s fame produced “Apollo Kids”, the out of this world “Buck 50″, “Mighty Healthy” with his war-drums and my personal favorite “We Made It”) and the question at hand is a simple but a confusing one: Why the hell was I surprised to find this odyssey of sound on Eric’s list? I HAVE NO FREAKING IDEA!!! All I know is this: I’m going to listen to this for the next couple of days and I’ll personally write a letter of gratitude to Eric for reminding me what a fantastic album this is… The man is one knowledgeable dude….-Rasul

69. Lords Of The Underground-Here Come The Lords


I love lyrics. I love to hear poets giving their brainstorms a figurative form of speech and create images. I love metaphors, similes and allegories but most of all, I love a profound concept transformed to rhythm with intricate wordplay. “Here Come The Lords” doesn’t have none of that! I assume that everyone visiting this or similar sites on the regular basis is very familiar with this album and the group Lords Of The Underground (I know, this one pops up every other week on some other blog but this is Eric’s Top 100 list. Besides, the man doesn’t have to impress no soul with some crazy “surprising” selection- we’ve already passed that), and I do believe that these guys maintained a solid following through the years, mainly based on this single offering. So what can I write that you guys don’t know?! I never particularly liked the MCs: They sure did look funny and as I’ve mentioned before, the lyrics were all the way damp and abrasively moronic, sounding somewhere between Das Efx, Onyx and Naughty By Nature- but with far less edge! What defined this album was its moving production! Courtesy of 90% K-Def (remember Real Live?!) and 10% Marley Marl, this was a true head’s heaven of creativity and magical bloom: hard hitting drums (literally, the most notorious break-beats of all time are all chopped and “screwed” on this album), obscure but compelling backgrounds, a whole lot of horns samples (they pretty much bit Pete Rock’s style of taking the horns and delaying / echoing them; The formula worked for them since their drum-patterns were far harder then Pete Rock’s) and good hooks (hooks in terms of, damn I can’t get this nonsense out of my mind- “hey mom what’s for dinner”… horrible but effective). So overall, while this collection would probably not get close to my personal top 100 albums of all time, I totally understand Eric’s and 85% of other die-hard Hip Hop fans when they claim this to be a great album. Just imagine Redman or Pharoahe Monch on them beats and you’ll understand where I’m coming from…-Rasul

70. House Of Pain-Fine Malt Lyrics


Authenticity! If I had to choose one single term to describe House Of Pain and their well-respected legacy, it had to be authenticity. Let me disregard Everlast his affiliation with Ice-T’s Rhyme Syndicate and his 1990 debut “Forever Everlasting” (not a bad album if you’d ask me) for a slight second and dwell on the formula that made this ensemble find their spot in the Hip Hop cosmos: Everlast, his old buddy Danny Boy and DJ Lethal acted as “white” as it gets, sporting worn out baseball caps and Celtics-Jerseys, talking about malt liquor, crashing parties, getting smoked out, and hooliganism as a sport (although hooliganism has a totally different approach when you grew up in Europe and loved soccer). What their Soul Assassin brothers from Cypress Hill had already manifested under their Hispanic umbrella seemed to work without any friction for this crew and what they called Irish pride. Well, I don’t know much about the components mentioned above (read: I don’t get smoked out, I don’t beat up people with no apparent reason and I love to rock “fresh” cloths); all I know is whenever I hear “Jump Around” (the original version; I love the Pete Rock remix but the original’s always worked for me. By the way Eric, what about a Pete Rock Remix-Special? I think a lot of people would enjoy that…), something moves within me and although I’m way too old and way too cool to actually “jump around”, my imagination runs loose and I start to picture myself hopping around the room like a kangaroo with no remorse (pretty weird, I know)… Anyway, this is very good album: The production is Muggs at his best (not that he produced the album: It just sounds like he did!) with gritty drum-patterns and gloomy sound bites, displaying a diversity of detail. Everlast steals the show, remaining very likeable (Oh just another thought Eric: you were absolutely right about your assumptions on Serch and Pete Nice!), while Danny Boy did a confused version of Sen Dog, acting and sounding silly. Low and behold, I prefer this over any Cypress Hill album because it’s dope. I just have to find a way to get that disturbing image of me hopping around out of my head…-Rasul

Interview With A Blogger II

Posted by: Travis  //  Category: Hip Hop, Old Hip Hop Posts

Some of the blog authors are a little more open to the readers. The visitors can connect to the blogger. Other bloggers, you really don’t know much about them, which is fine as well, I mean shit, all most of us are after are some lost album from our youth or an album you slept on from ’91 or something, but don’t you wonder about your favorite blogger? After all, you read our blogs a couple times a week, we spout our knowledge about what we know. Some of us you know better than others, I’m probably one of the more open bloggers, others are a mystery to us.
I hope to change some of that over the next month or two. Once a month or so for the rest of the year, I hope to interview some of the other bloggers out there. I honestly got the idea from reading a blogger interviewing Jeff Weiss and thought that it would be kind of a cool idea if I did it for some of the “local” blogs like mine. I already have “behind the scenes” communications with some of the bloggers out there myself, through emails, myspace messages and the such, so hopefully getting some of them out of their shell will be interesting. Another reason for the interviews is to get some practice for what I hope will be future interviews with artists….fingers crossed of course.
Next in our series will be a somewhat of a relatively newcomer to the scene, but one that has made a huge splash in his short three months on the scene. Known for it’s pink back ground, “When They Reminisce” has sprinted out the gates and probably one of the more popular sites out there at the moment. Armed with thoughtful insights and a large collection to school the youngsters, Eric and his blog have been a welcomed site in the blogmosphere. I had a chance to sit down and talk with him…..
INTERVIEW WITH ERIC FROM “WHEN THEY REMINISCE”

WYDU: Good afternoon, tell everyone your Social Security Number and checking account numbers….or just let everyone know your name and the blog you represent. Care to give any personal background info? Location, family, ect…?
Eric: No doubt, currently my wife Tara & I reside in Cabot, Arkansas (which is about 20 miles North of Little Rock) with our two daughters…Linden who is 17 months and our newest addition Kellen who is now 6 weeks old. Originally, I was born and raised in Dry Run, Pennsylvania and Tara is from Louisiana but Tara (who is an ALS instructor in the Air Force) took an assignment here in Little Rock about 2 years ago and it has turned out to be a pretty good career move for me as well.
W: What got you into hip hop?

E: You know, thinking back I can remember hearing Run DMC’s “Walk This Way”, Kurtis Blow’s “Basketball” and DJ Jazzy Jeff & The Fresh Prince’s “Parents Just Don’t Understand” at an early age, but I truly think it was the first time that I heard Run DMC’s “You Be Illin’” that it struck me like….damn, I kinda’ like this! It didn’t hurt that my folks along with most of their close friends used to turn our living room into “Soul Train” every Saturday night. So needless to say, I received a heavy dose of Michael Jackson’s “Off The Wall” as well as get this…mad Billy Ocean stuff!!! Now, the actual first Hip Hop related purchase that I made was indeed “He’s The DJ, I’m The Rapper” by DJ Jazzy Jeff & The Fresh Prince.

W: What do you think, is hip hop dead or alive?

E: Most definitely alive!!! As I’ve mentioned countless times at my site, my faith in Hip Hop has been renewed due to some of the most recent stuff that has been coming out. If you think that 2007 has been a shitty year for Hip Hop, you’re fooling yourself….but, I’ve really had to search “underground” to find that “itch” that I’d been having for some good music. I really think that we’ll look back on this year and realize it was indeed filled with originality, uniqueness and quality Hip Hop. Admittedly, if your doing nothing but listening to top 40 or Urban Radio I can understand why you would feel that “Hip Hop Is Dead”, because the majority of stuff that is being spun is BOOTY!

W: Why did you get into blogging? Was it the money, the fame or the women?
E: Really, it was another one of those sleepless nights, wide awake at about 3 in the morning where I was jumping from blog to blog binging out on some Lucky Charms and I thought…man, how hard would it be to just do this myself? Plus, a few times per year I’ll fly back home to PA to catch a Villanova basketball game or to even play in a tournament myself, and prepping to head back home is when I really get back into my “Golden Age” mode. So I had another trip coming up in March and I wanted to bring that “feeling” back, so I just started writing my thoughts on a few albums that I’ve adored over the years. Essentially, that is what I want to do for the visitors of “When They Reminisce”. If you hear a particular cut like “Mind Playin’ Tricks On Me” or “Don’t Believe The Hype” you tend to visualize the memories that accompany that certain song or album. “Where was I when I heard this?” kind of feeling. While the majority of the stuff that I post isn’t necessarily “rare”, I do hope that it serves as a “time machine” for the majority of our readers. I want you to see an album an be like….”Damn, I completely forgot about that!!”
W: What’s been the best part of blogging, besides the internet celebrity status?

E: The absolute best part is the “Let’s Talk About…” series where I try to bring l >ight to recent releases or albums that may otherwise go unnoticed and it gets me excited to write when I hear quality stuff from an artist that I may have not expected it from i.e, Blue Scholars, Ill Poetic, Uncut Raw, Buff1,etc. Really, it’s sort of a “release” for me as well, I usually compose most of the post when the rest of my family has “hit the sack” and it’s just me and my thoughts winding down for the evening.

W: On a bad day, what makes you think “Why the hell am I doing this blog”?

E: Sometimes the “write ups” are the most time consuming and to be honest there’s day’s where I’m like “damn, let me just throw up a couple joints” and call it a night, but my “obsessive compulsive” nature (thanks to the US Army) prohibits me from doing just that. Also, us “bloggers” do love the comments, and when I take some time and effort and I feel that I’ve done a pretty dope post only to see 1 comment below the post you’re kinda like “WTF”…but that’s just being selfish. Realistically, I don’t see how dudes like Dart Adams @ PoisonousParagraphs (who’s incredibly talented if you ask me) @ Mike Dikk @ Dumpin.Net (likewise) do it, because they HAVE to spend a shitload of time prepping some of their post and I don’t feel that they sometimes get the credit that they deserve. Finally, as you’ve said Trav…this is like a JOB…for real, we need some compensation for this stuff! haha! If you leave your site unattended for a few days “blogger’s remorse” sets in and your left saying “damn, I need to update my shit!”

W: On an estimate, how much time do you spend on your blog per week?

E: Oh Lord, I’d have to say 12 Hours….damn, it is that much.
W: In your perception, what makes a blog a good blog?

E: Originality,(which is getting so hard to accomplish these days), Efficiency and Promptness (frequent drops). I also feel that honesty is a big thing, meaning just because everyone and their mama loves Jeezy and Lil Wayne…if you ain’t feelin’ em….you ain’t feelin’ em, and don’t be afraid to say so. Something that I feel is most important as well is you have to be a decent “writer” or at least be like me and barely suffice. Oh, and a little sense of humor doesn’t hurt matters either.

W: You seem to follow carefully thought out theme’s and series, how do you come up with your ideas for blog topics?

E: I’m a retirement adviser so during the day I’m on the road quite a bit driving to spend time with clients, so I do have an abundance of time to just “think”, but you have to do it carefully cause your music can only “stretch” out so long. Also, some of the themes that I‘ve posted are what I’ve wanted to see on other blogs before I got into “blagging” (damn, I hate that word)

W: How would you describe the blog scene these days?

E: Over saturated, everyone thinks that they can do it until it hits them “Damn, this really IS a job!” and they fade outta’ the blog scene. Don’t get me wrong, I have stumbled into a few nice additions recently like “Time4SumAksion” & “Too Fat, Fat You Must Cut Lean” though.
W: You are some what a “newbie”, debuting in March, did any blog or blogs influence you in the beginning?

E: Well of course I fell in love with “WakeYourDaughterUp” after I scrolled through the archives once or twice, but honestly the first blog that I ever peeped was “MusicThingz” (who has a very nice archive) as well as Crooklyn’s site (damn Crook, where are you??) and BootisConnection (which hasn’t been updated in months). Shortly thereafter I was hipped to “Bust The Facts”, “From Da Bricks”, “Cold Rock Da Spot” and “Mosh It Up” (all of which I love).Any significance in the name “When They Reminisce”? Most Definitely, Pete & CL’s “T.R.O.Y.” is my favorite song of all time and “Mecca & The Soul Brother” was my first post as well. Essentially, since WTR specializes in Hip Hop from the Golden Era when I, or the reader goes back and listens to one of those particular albums we all “Reminisce”.

W: Alright, you know I have to ask it, what’s up with the pink background?

E: Damn, I knew it! I’ve been thinking about changing it but that is how everyone seems to identify the site. When I first set up the blog, I always wanted to include a picture of my daughter Linden. Since she’s a girl, she’s always got something on that goes with pink and it was a “good look” I figured. I mean C’mon, who else has a picture of their daughter on their page (actually the one on there now is she and I at the Zoo) and a pink background. Since Mike Dikk hooked me up with the color coordinating header I doubt that it’s going to change anytime soon. Do you have any goals with the blogging?

W: Any chance of wanting to expand more in writing or music critic type of thing?

E: Not really, I don’t feel that I’m up to par with the likes of Trav, Dart Adams, Dan Love or the boys at Dumpin.net…but if were to happen I’d welcome the task with open arms.

W: What do you look for in an album? What makes you say “Daaaayum, that’s the Shit!”

E: THE BEATS……first and foremost. I grew up on Pete Rock, Primo, Howie Tee, Dre and so forth so that type of quality is what I’m looking for in an album as well. You wouldn’t believe how long it takes me to memorize 16 bars from a track that I’ve heard, but originality and flow are important qualities in MC’in as well. Also, I think alot of albums aren’t’ properly engineered nowadays that’s one reason I love Ill Poetic’s new joint “The World Is Yours” so much because the production and overall sound of the album is so damn crisp.

W: Do you listen to anything other than Hip Hop?

E: Ahhh, a little R & B here and there. I don’t know what’s wrong with me but I kinda’ like Maroon
5′s new album a bit too. Back in 2000 there was a time where I was like “to hell with Hip Hop, ain’t shit out here for me anymore” but it reeled me back in.

W: How do you sit down with a “new” album, meaning new in nature or just new to you?

E: When I’m by myself I always have headphones on. Plus, I’m a workout freak so whether it’s in the gym or outside running I’m always listening to music. Like I said earlier, I do spend quite a bit of time in my car listening to music between appointments and so forth so I’ve put a lot of dough into my system to enjoy each album like it should be enjoyed. Lastly, I’m a big “NBA 2K7/College Hoops2K7 freak so I like to listen to music while toying with the XBox as well.

W: How much time would you say you listen to music a week?

E: Wow, maybe 15 hours or so, as you can see in the question above

W: Do you get away to many shows?

E: Hell no, it’s been quite some time I think the last group I saw perform live was the Roots.

W: Who would be the best show you’ve seen?

E: That would have to be the first show that I ever saw…..I won tickets on a Radio Show back when I was 12 to see Public Enemy & Digital Underground perform at City Island (where the minor league Baseball Harrisburg Senators play) in Harrisburg, PA and needless to say…I was blown away!

W: If you had to pick a favorite artist, who would it be?

E: That’s a tough one…my favorite “group or duo” would be Pete Rock & CL Smooth as far as my favorite artist goes I’d have to say…oh man, that’s tough….as much as I hate to say it..Jay Z is one dude whose lyrics I could always recite after one listen, very intricate…but I hate him as a businessman

W: Any upcoming albums you are looking for?

E: I’m looking forward to Common’s new joint, and as big as an asshole as he may be Kanye West is prone to drop a good album with his upcoming full length. Oh, and I’m a big Little Brother fan as well, Madvilliany II and I’ve given up on Rae’s “Only Built For Cuban Linx II”

W: If you could eradicate any hip hop group/artist drop from the face of the earth, who would it be?

E: Jim Jones has been annoying the hell outta’ me lately, and I’m not big on Lil Wayne either, there’s just “too much” of him everywhere.

W: What’s the typical day in the life of Eric?

E: Well, with my job I can pretty much work the hours I want but I do have close to 800 clients so it can become a bit overwhelming at times. But, I’m usually up by 6am my oldest is awake shortly thereafter and after feeding her and taking her to day care I’m off to work around 8am. My wife handles the majority of the parenting “duties” with our youngest Kellen, whereas right now Linden is “all mine” more or less. I usually visit with my first client between 9-10am, around lunch I’ll lift for about an hour then it’s back on the grind until about 5pm. Then, it’s home to help out with the kids (bathing,dinner) until both our daughters are asleep by 7pm. My wife is a helluva’ cook, but she really has her hands full right now…so it’s usually dinner for she & I with a few episodes of our favorite series we’ve been catching up on “King Of Queens”….maybe a little “sexy time, it’s nice” here or there, but she’s usually beat from the day’s events and in bed by 9pm, which is the time frame in which I usually “update” WTR. I’m in bed by 10pm and “we gon’ do it again” the next day.

W: What do you like to do outside of blogging and helping people plan for their retirement?

E: I played a little College B-Ball, so I try to play quite a bit..although not as much as I would like lately. Also, I….much like my wife enjoys spending money….I’m a huge sneaker “fiend”, I think I have more shoes than she does. Most importantly, I just love being a Father & Husband, I have a beautiful wife & two beautiful daughters that I’ve been blessed with that really take up any “free time” I may have. Don’t get me wrong though, there are times when both of the aforementioned duties can add some wear and tear to my ass! But, I really do enjoy my family.

W: So a basketball fan? Who is your team and player?

E: I’m a HUGE Villanova basketball fan, I’m not real big on the NBA as a whole. Although, I did catch a good bit of T-Wolves games this year just because they drafted a former Villanova Wildcat Randy Foye who also happens to be my favorite player. Hell, when Nova’s on the tube’ it’s “leave me the hell alone” time.

W: What is your beef with the NBA?

E: I mean, there will never be another Jordan/Nique’/Barkley/Magic/Bird era but I think Stern’s got a firm hold on the NBA and while he can go overboard a bit, he does a decent job of being a “regulator”. Plus, it’s improved a bit since the DWade/LeBron era

W: Do you think the new rule in place that requires kids to go to at least one year of college before declaring for the draft is a good one?

E: I really don’t know where I stand with this. I mean, everyone has their own “situation”. I DO think that one year of college will not benefit the kid ph
ysically, but just the overall college experience will give you a tremendous mental boost as well. It gives you a year to become a “Man” rather than be pushed into the high speed lifestyle of the NBA instantly. On the other hand, what if you get hurt or your family can’t pay the gas bill? So, I really haven’t taken a firm stand on this one yet.

W: Great, thanks for your time!