The ?’z: Slimkat78 Interview

Posted by: Eric  //  Category: Interviews

If you have yet to witness the production wizardry of Slimkat78 you’re truly missing out. Whether it be his ridiculous selections that can be found on the yU classic, “Before Taxes” Diamond District’s “In The Ruff” or his eclectic productions as a member of OP Swamp81, dude truly has an ear for sample selection and chops.  With forthcoming contributions to Asheru’s new LP and yU’s official follow-up, it’s safe to say, that Slimkat is just gettin’ started.  Recently we had the chance to politic with Slim for a few, hit the jump for the interview…
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Rickey Powell, Blacastan & UGHH Interviews

Posted by: Travis  //  Category: Interviews, Videos

Blacastan & Ricky Powell – Ricky Powell: UGHH Cribs Episode & Interview By Blacastan

Video Summary:
This double-whammy video begins with Blacastan inquiring into Ricky Powell’s use of the word “Negress” to describe the darker skinned. It evolves into the first ever UGHH Cribs episode with a look at the legendary photographer’s digs in Manhattan’s East Village. If you have an inkling of culture running through your veins we warn this video may birth a jealous ones envy as Powell’s place is as much a museum for sports, art, fashion and music as it is a humble abode. Don’t forget to pre-order your copy of Ricky Powell’s “Rappin’ With The Rickster” DVD here.

Ricky Powell – Interview Pt. 1 (In The Village – Manhattan, NY)

Video Summary:
Part 1 of 4: “Homeboy throw in the towel, Your girl got dicked by Ricky Powell.” – Beastie Boys on the song ‘Car Thief’ featured on their groundbreaking album “Paul’s Boutique.”

Ricky Powell was there! Camera in hand, he was the lens through which we witnessed the ascent of the Beastie Boys and Run D.M.C. as they brought hip-hop from an underground art-form into the national spotlight. Often referred to as “the fourth Beastie Boy,” hip-hop’s most outrageous archeologist delivers the dirt on what happened behind the scenes amidst hip-hop’s most epic transition to date: The “Raising Hell” & “Licensed to Ill” era.

Also, for the first time ever, the best of the Ricky Powell “Rappin’ With The Rickster” episodes are available on DVD. This two-DVD box set also features the world famous Ricky Powell picture slideshow and is available here.

Ricky Powell – Interview Pt. 2 (In The Village – Manhattan, NY)

Video Summary:
Part 2 of 4: Ricky Powell is a vindictive thief! His career as a photographer was launched when he stole his ex-girlfriend’s camera as payback for her dumping him. In this segment Powell talks about being young in New York City in the mid-80s, and how circumstances lead him to become a premier chronicler of the arts during the Grandmaster Flash, Jean-Michel Basquiat era in the Mecca where it all began.

The ?’z: Mr. Brady (of Deep Rooted) Interview

Posted by: Eric  //  Category: Interviews

Peep our review of LMNO & Mr. Brady’s “Banger Management” HERE

Download Mr. Brady’s “Left-Over’s Vol. 1 & 2″ HERE

Peep our coverage of Deep Rooted Here or HERE

B-House: First and foremost, thank you for taking the time with Bloggerhouse. Can you offer a brief introduction to our readers?

Mr. Brady: Naw, thank you! You can call me Mr. Brady, Big Braid Amazon or Mr. Mr. I’ve been doin’ this for awhile, and have put out quite a few albums, vinyls, cd’s, tapes, etc. I’ve produced three albums as a member of Deep Rooted and I’ve just dropped a new LP with LMNO, “Banger Management”.

B-House: When did you actually begin making music and who or what were some of your earliest influences?

Mr. Brady: I started off breakin’ in the ’80s, I wrote my first rhyme to “La Di Da Di”. However, I didn’t start really taking it serious until I was about 17 though. I began making beats around ’94, the first time I heard Big Daddy Kane, Afrika Bambaataa and Rakim, I was hooked!

B-House: Let’s cut right to the chase. July 6th marked the official release of your collaborative LP with lyrical workhorse, LMNO, and my favorite of the 6 that he’s dropped thus far, how long did it take you both to complete the album?

Mr. Brady: Wow! Thank You! Yeah, we put our hearts into this project and it was one of the easiest albums i ever recorded. Nothing was forced, everything just felt right you know? That’s when the music always comes out right. We went on tour last year and while on tour we talked about doing a album, so as soon as we got back i started sending LMNO beats and he keep sending them back with verses on ‘em so we just keep building, but I’ve known LMNO for a while now though, that’s true family right there! It took us a little less then a year to record it, but I went up to Long Beach and re-recorded everything in like 2 days.
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The ?’z: Aspect1 Interview

Posted by: Eric  //  Category: Interviews

For those of you who’ve been sleeping on Aspect1, it’s time to get hipped to one of the rising stars in the production game. With two slick LPs under his belt already (“Vibe.Over” & Vibe.Ready”), Aspect1 has big plans in store for the remainder of 2010 and beyond with 4 (!) projects hitting the streets within the next year.  Take a moment to catch up with the man responsible for two of the year’s finer instrumental products, Aspect1.

B-House: Aspect 1 or One? A brief introduction for the masses…

Aspect1:  It is Aspect One or Aspect 1. I am an Emcee/Producer out of LA California.

B-House: Why the moniker “Aspect”?  Is there an acronym that signifies it’s definition?

Aspect1:  Well… I used to have a terrible name in high school emcee-wise, so I was messing around with acronyms and put together Another Stylish Perspectice Embodying Creative Thoughts On New Extremes. Thats Aspect One for you.I went thru other names like Checklist, Spec The Kid but i just kept Aspect One(1) for political purposes (LOL).
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The ?’z – IMAKEMADBEATS Interview

Posted by: Eric  //  Category: Interviews

Out of all the producers whom we’ve had the pleasure of chatting with here lately at B-House, the man I knew the least about was IMAKEMADBEATS, but over the last two months dude has remained in my headphones. Rightfully so, being that he is, after all the “masked man” responsible for one of the hardest hitting productions of 2009, the appropriately titled “Return With A Mask On”.  Only recently have I become hooked on  IMAKEMADBEATS’ collaborative LP with the Oxnard, CA’s Roc C (Stones Throw), “The Transcontinental” (Click HERE to purchase).  And never in a million years would I have guessed that he an TzariZM are brothers!  If there’s one word to describe IMAKEMADBEATS production it’s: FURIOUS.  Having already worked with a “who’s who?” list of some of the undergrounds finest, and a dual EP with Butta Verses and MidaZ The Beast right around the corner, IMAKEMADBEATS will soon make you forget about the other dude who rocks a mask.  Dude had his decade already, this one belongs to I…MAKE…MAAAAD…BEATS!!
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The ?’z: 14KT Interview

Posted by: Eric  //  Category: Interviews

Peep Our Review of 14KT’s “The Golden Hour” HERE

Click HERE to DL “Nowalataz”

As a continuation of our “?’z” interview saga, today Bloggerhouse is proud to present our recent “sit” down with Ypsilanti, Michigan’s finest, 14KT.  If KT isn’t my favorite producer out there right now, he definitely hovers around the top of the list.  Intertwining thick basslines, with neck-snapping drum kicks and melodic synths, KT has led the resurgence of the Athletic Mic League after a brief lay-off for three years between the release of A.M.L.’s “Jungle Gym Jungle” and Buff 1′s stellar debut, “Pure” (an album that really put me on to the production wizardry of the LabTechs, namely KT).  With a classic number under this belt (“The Golden Hour”), and an equally potent free LP that may have even gained more attention than his debut (“Nowalataz”), KT is primed for a promising 2010 and beyond. Take a moment to meet 14KT.
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Father’s Day in the Hip Hop World

Posted by: Travis  //  Category: Interviews

Yes, I’m back from the dead. Still down in sunny (sometimes) South America, getting set to do a weeks worth of digging in two different cities. But I’m also aware that it’s Father’s Day back in the good ole U.S. of A. Of course I have a father of my own that has been instrumental in molding me into the person that I am, which I’m grateful for. If it wasn’t for him, I’d probably would have headed down the wrong path more than once or twice in my adolescence. I also have a 12 year old daughter, and while we’ve had some rough roads in the past and I don’t get to see her as often as I would like, we are starting to build a solid relationship. She means the world to me and I hope to be there for her more in the future.

As I hit the wrong side of my mid-thirties, hip hop has changed for me as well. I can’t relate to the gang-banging joints (not that I ever could really, but I did enjoy a few gory blood shed songs from time to time), the bling-bling, the bitches, the clubs. It’s not for me anymore. If I do want to hear that, I’ll go back to albums that I enjoyed in the 80′s and 90′s. I want to hear things that relate to me, to what I experience from day to day. As some of the hip hop nation gets older as well, it’s a given that some of us are going to be fathers, as well as some of the emcees we listen to. Over the past five years or so, I hear artists that aren’t afraid to break that machoism barrier and kick lyrics about being a proud father and raising their kids. Let’s face it, that hasn’t really happened in the past, besides the occasional Edo G type of song (“Be a Father to Your Child”). Artists like Paten Locke, who has a song written about his daughter, “After You”, or Blame One that mentions often in his rhymes that he is a proud father. It’s artists like this that make me proud to be a hip hop head in my thirties and a father in general.

As a dedication to all Dads who do their best to be there for their kids, I got together with some of the Dad’s of the hip hop nation and discussed what it means to be a Dad in the world of hip hop…..

Blame One

Kids: Anthony, 4 and Symphony, 6
BloggerHouse: What’s the most rewarding aspect of being a father?

Blame One: Seeing them progress and grow daily. Also being able to see the world in a new light through their eyes as well. I do a lot of things with them that are so much fun but never thought about doing before they were in my life.

BH: How do you juggle Blame One the emcee with Jahson, the Dad?

BO: I just put family first. For me it’s simple as that. I personally am at an age where I’m not trippin too much about where my rap career is heading, I know where I stand. My kids are with me when I’m recording and when I’m writing 99% of the time. They are well aware who Blame One is and how that person is also their dad.

BH: What’s the hardest aspect of working in the music business and being a family guy?

BO: The music business is not catered towards having a family. Being away on tour for a month for me is just not acceptable. In that aspect of the music biz, I put my family first and try to gain my fans with other methods. I perform when I get the chance but usually in SoCal because of what I just mentioned. Other than that, its just a matter of finding time but I manage to balance it pretty well.

BH: Has the fact that you are a father changed how you make music?

BO: I definitely do more songs that are inspired by my children and the times we have. I also keep my old “rip an emcee to shreds” mentality alive from time to time just because simple bragadocio is also a foundation of my style aside from the message.

BH: Obviously hip hop has changed over the years, more emcees acknowledge the fact that they our fathers and actively involved in their kids lives, from a time that being dad (minus Edo G) wasn’t really brought up in muisc. How do you see that evolution over the years? Why do you feel it’s important to be apart of your lyrics and subject matter?

BO: I just feel that all of the emcees I grew up on spoke about things that really happened in thier lives. I used to walk the freeway at 2AM bombing every wall and divider in sight. I used to boost clothes from the mall.  I dont do those things any more. If I have a family and work a 9 to 5, I’m gonna rap about that because we all gotta grow up at some point. I’m not gonna rap about drugs and guns, im not involved in that lifestyle. I have something much more valuable. I still love that type of music because I can relate to it from other points of life that I’ve been through. If I was to speak like I’m living the hood life right now, I’d be lying. I struggle in a whole different way now, and thats what you will hear in my music.

BH: What makes a successful father?

BO: Love, patience, teaching, creativity and quality time.

Arablak

Kids: Daughter 12, Son 2, Son 1

BH: What’s the most rewarding aspect of being a father?

Arablak: Knowing that my legacy and influence will continue when I’m gone. My kids already look and act like me. When they’re grown they will become their own influential entities with incredible individual potential. The fact that such powerful little creatures love me so unconditionally is kind of overwhelming.

BH: You have both boys and a girls, which do you think is/will the most difficult as far as being a parent goes?

A: I think they’re both equally difficult it their own ways, but with girls it’s a more of a delicate situation. Not that they are more delicate, but their are issues as men that fathers can’t relate with, making it less manageable from our side of the fence.

BH: What’s the hardest aspect of working in the music business and being a family guy?

A: It used to be maintaining 2 different identities but the older I get, the more balanced I become and the more I truly know myself. With that I more and more become the same guy at home than I am on beats or on stage. I started as a “music act”, but over time I matured into a hip-hop artist. I no longer quell certain mannerisms at home or on stage, as I’ve grown to be secure and honest enough to give my grandmother and my kids that same guy I give to the hip-hop listeners.

BH: Has the fact that you are a father ever made you change a lyric or scrap a song?

A: Of course. There are things I used to say or do when I was only responsible for myself that I can’t really say or do anymore. My primary job as a father is to instill foundational values that I hold most valuable. If I contradict that in my lyrics, it can damage the years of work I put into my kids. Plus it’s not always what you say, but how you say it. It’s not as cool for me to tell them something in person than it is to a beat. Although hip-hop can be an abrasive culture, there’s no reason why we can’t conduct ourselves with some class when needed. Besides, the average hip-hop artist and listener is between 30 and 40 years old. We’re too grown to act otherwise.

BH: If one of your kids came to you when they were old enough and said they wanted to be an emcee/producer or DJ in the hip hop biz, would you want them to? What advice would you give them?

A: I will support whatever their passions are, IF they are talented in that field. If my son wants to rap or make beats, but he just doesn’t have what it takes, I won’t lie to him. But if he wants to be a ribbon dancer and is a damn good ribbon dancer, then I will make sure he has everything he needs to succeed. My advice will always be to strive to impress yourself first. If you are a true fan of your passion, your standards for your own work will always exceed what is expected of you.

BH: What makes a successful father?

A: Sleeping soundly knowing you’re providing your kids the most fun, engaging and enriched childhood you can offer. Truly loving those destructive and smelly critters, even when they break your MPC2000xl, 2 external hard drives and a glass coffee table.

Castor Pollux

Kids: I have 3 children 12,7,1. My daughter Wynter is the oldest I have not seen her for about 10 yrs … that is a very long story and one day we will have Maury host WYDU Video. I live with my two sons, Robert aka “Bboy7″ who is seven and William aka “Illiam”  one year of terror..

BH: Was there a moment that made you realize that you responsible for another life? How did that change your life?

Castor Pollux: When my son Robert was born, the very moment he was born. It changed my life in that I am alive and here . I was on a terrible a road and I realized I had to do something. With my daughter I was very selfish, I love her very much but was way to young to even fathom the responsibility of that .

BH: What is the most important part of being a father?

CP: Is BEING a Father!! But to me personally it’s just being there talking to them. Honestly, teach the golden rules, love yourself,love others, always be honest and truthful with your heart. But sometimes being a good man is walking away from a situation in which it is not at all beneficial for the child.

BH: How do you juggle the music and your fatherly duties?

CP: You just gotta do it. It’s like a job you are on call, you do what has to get done . Sometimes I will walk in the door from a show at two or three in the morning and my 6 month old is waking up . You do what you gotta do, make the bottle, change that diaper. A couple hours earlier, I was on stage rocking it with my Gutter Water Fam. In the morning its all Dad again, you know waffles and homework. With recording, I include my boys, most every song is recorded with one of my kids in the room. My seven year old runs the program(Ableton Live) while I’m in the closet lacing the vocals. My youngest will be sleeping in the room in his crib. It’s funny, when it gets quiet is when he wakes up .

BH: Some of hip hop isn’t made for the younger ears. Would you let your kids listen to some of the more violent/sexist hip hop out there (at the appropriate age of course)? How do you teach them that it’s just music and art and not the way most of us live our lives?

CP: Yes I would let my kids listen to what they like. Yo I was listening to what I wanted. I had a homie in grade school who would always hook up the 2 live crew and NWA tapes (laughs), I still have one. But I would explain that alot of this HipPOP that is on the radio is just glamorizing evil. Honestly your liver is going to collapse if you drink that much liquor. You probablly will get a STD from these girls at the club. And if you get a Benz make sure you can pay for repairs (laughs). If it aint that, then be you!! Im writing a new song the hook is, “I gotta wife, two seeds, a broken down GMC, and gutter talent to emcee, it’s C.P. Be you!”

BH: If one of your kids came home bumping the latest radio hip pop mainstream by the latest bling bling rapper (or any other hip hop trend you don’t care for), what would your response be?

CP: “Stop Listening to that sh*t” and explain to him what my answer was in the previous question. But ultimately I am here to guide not make there choices. I had to live through a lot of things to stand here today with this mind state . So for me to not let them experience themselves would be worse .You have to be who you aren’t, to know who you are . If there is no black there is no white there just is. That’s from Conversations With God, great book .

BH: What is the single most important lesson you can teach your kids?

CP: Don’t ever say can’t and always follow your heart and I will always support you!! .

I want to end this by saying “BiG Up and Good Work ” to all the dads out there stepping up to the plate and taking 200% responsibility for your children. A father is everyday not just a Sunday in June. One Gazillion .

Below is a free joint Called “HAPPY” Produced By: Dysposable Heroes Enjoy . Recorded in 2009. Unreleased .

http://www.mediafire.com/?mijacnkmnj4

The ?’z: Illastrate (Black Noise) Interview

Posted by: Eric  //  Category: Interviews

Peep Bloggerhouse’s take on Aarophat & Illastrate’s “Black Noise” HERE

Illastrate….Hmmm, where do I begin? Not only was dude responsible for the production half of one of ’09′s finest albums in “Black Noise” (along with Aarophat killin’ the verbals), but he also laced fellow ATLien Boog Brown with some heat for her mixtape, “Grind Season Vol. I”, in the form of “The Best” and “The Essence”.  Prior to this interview, little did I know that Illastrate also handled some production for one of the most underrated albums of the last 10 years, Akir’s “Legacy” (ak’ like you know).  With the recent leak of his “Whata’ Fool” (craziness) and a follow-up to “Black Noise” in the works, it’s safe to say that Illastrate is just scratching the surface…

B-House: Alright Illa’, a brief intro to the masses, or those that have been chillin’ under a rock for the last year and a half?

Illastrate:  Haha! I FEEL like I’ve been under a rock myself! My name is Illastrate, I’m from Ft Wayne, Indiana, been in ATL for about 10 years. Also, I’ve been producing for artists heavy since about ’04 or so, that’s about the time I found my lane, I’ve been riding there ever since.
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The ?’z: TzariZM (The Heart & Brain) Interview

Posted by: Eric  //  Category: Interviews

Read the B-House review of The Heart & Brain’s (TzariZM and Vis Major) “Mbodiment” HERE

I’ll admit, when you’ve been listening to Hip-Hop for 25+ years, and been operating a website that focuses on “the underground” for the last 4 years, you tend to become a bit of a “know it all”. So, when I recently conducted this interview with the production half of The Heart & Brain, the immensely talented, TzariZM, I thought I knew all that there was to know about this Doxside producer.  Little did I know that “TZ” was an emcee prior to focusing on the beats or that he has licensed music that can be heard on everything from “Jersey Shore” to “Dancing With The Stars”.  Also, as big as Dart and I are on IMAKEMADBEATS production, I guarantee you that we never put “2 +2″ together prior to this interview, as IMAKEMADBEATS and TzariZM are actually…BROTHERS!

It goes without saying that TzariZM along with cats like Apollo Brown, Illastrate, 14KT and the aforementioned IMAKEMADBEATS are the “torchbearers” that will push “underground” Hip Hop in the right direction over the next decade and beyond.  As hard-working as the man is, “TZ” took a time-out for Bloggerhouse recently and keyed us in on many factoids that we’ve seemingly overlooked.  Oh, and if you haven’t copped “Mbodiment” yet, you’re missing out on one of the top three albums to drop this year.  It’s a rare find when you have top-notch production paired with fierce lyricism, cop it YESTERDAY!!

B-House:  Please, a brief introduction for the massses:

TzariZM:  Wattup, I’m TzariZM, Tzarmageddun, Tzarcastic, TZ McFLy and many more. I am one of the Doxside Emcee/Producer extraordinaires repping the OZONE (Orlando, Fl.)

B-House:  Why the moniker, TzariZM?  It’s a bitch to spell, you know that, right?

TzariZM:   Haha, It originated from just ‘tzar’ which is an alternate spelling of the word ‘czar’ meaning emperor, king or man of great power – commonly used to describe a Russian king. My brother Nemo (currently known as IMAKEMADBEATS) and I decided to search the dictionary for a new alias back in 1996. Tzar was found and I liked the meaning. Over the years, one of my homies used to add the “izm” part to my name every time he saw me. It sounded more like an element of some sort.  Plus, I heard their was some acts out with TZAR as their name. It was time to differentiate.
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The ?’z: Apollo Brown Interview

Posted by: Eric  //  Category: Interviews

First and foremost, if you have not yet peeped our take on Apollo Brown’s “The Reset”, please do so HERE.  Secondly, you’ve read about the talented producer on these pages since 2007.  Yet, if there’s one thing that I’ve noticed most about Apollo, with each release (“Skilled Trade”, “Make Do”, “The Reset” and “Gas Mask”) he keeps getting better and better.  In my humble opinion, Apollo hasn’t even scratched the surface yet, as dope (one of the top 5 or so albums this year) as “The Reset” was/is, your jaw is gonna’ drop when you hear The Left’s “Gas Mask”.

Recently, I had the chance to sit down with yet another producer whom calls the “D” home.  Not only is Apollo one of the hottest producers in Hip Hop, he’s just a good dude, period.  It’s one thing to conduct and interview with someone and get half-assed replies, it’s another when someone like Apollo offers up a damn good read and does so promptly and graciously.  Trust me, I’ve had the pleasure of enjoying some damn good Hip Hop over my 34 years (Damn..34? ShhhhIT!) and whatever the so-called “IT” factor is, this cat has it.  Oh, and to the OkayPlayers of the world and blogs out there who’ve basically rated “The Reset” album a B- or C+, you need to check your headphones.  Really?  C’mon, really?  “The Reset” is ridiculous (c) Dart Adams (ad nauseum)

Bloggerhouse: You represent Detroit to the fullest, what is it like carrying on
tradition in the Detroit hip-hop scene? Is there an added sense of
pressure?

Apollo: Detroit is where it’s at right now. Detroit is where it’s always been for good music. I love the fact that I can contribute to such a great legacy and sought after sound. There is definitely pressure to carry a leg of the production torch when you have Producers like the late great J-Dilla, Black Milk, and Mr. Porter applying a soundtrack to the movie called Detroit. I just try to hold my own in a slightly different lane.
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