SciFi’s debut single The Will feat Vast Aire, 4th Place & Jonwayne has been broadcast on radio shows worldwide, from BBC Radio 1′s Essential Mix to the classic DJ Ready Cee show in New York and has appeared on mixtapes across the globe.
Looking to follow on from this success SciFi has recruited hip hop mainstay John Robinson (aka Lil Sci from Scienz of Life) & ultra-fresh Jersey group Remarkable Mayor to provide raps for this new energetic ‘golden era’ inspired track. The track also features turntable skills from SciFi’s friend and collaborator Twelvebit. Read more…
SciFi Stu aka “SciFi” (who produced an abundance of bangers for Tha Connection) presents THE WILL + THE TOUCH Digi-12 featuring guest emcee’s Vast Aire (Cannibal Ox), 4th Place (Ill Poetix)and Jon Wayne and produced by SciFi Stu. Released digitally today on Domination Recordings | Advantage Music Group (AMG).
Scotland-born, Edinburgh-based hip hop producer SciFi Stu releases his fresh new single THE WILL on 26th Jan 2010. Endorsed by highly regarded New York hip hop radio veteran DJ Ready Cee, SciFi has recruited MC Vast Aire of the classic underground hip hop crew Cannibal Ox to head up rhyming duty. The track also features 4th Place of respected New Jersey rap group Ill Poetix and emerging LA rapper Jonwayne.
Growing up in the 1990s, SciFi enjoyed the ‘golden era’ hip hop sound and has taken those classic elements and added his own twist to title track THE WILL. The second track on the single is The Touch which has been featured on mixtapes and radio shows around the world and its production has been compared to the 1990s Wu-Tang sound. Read more…
What’s that you say? Who is Alex Goose? Well, trust me after learning that Danny’s! forthcoming “Where’s Danny?” LP is comprised only of rough demos and is not the finalized version (somebody is fuc*in’ up with this one!), Alex Goose went from nobody (not exactly) to somebody in a matter of two weeks. The album (“Where’s Danny?”), which I mistakenly mentioned that Danny! produced, is fueled by the production wizardry of none other than Alex himself. Quite honestly, few albums have exuded that instant WOW! factor this year, but “Where’s Danny?” is one of them. Also, while I may have slumbered on Alex’s beat submissions for Jay-Z’s “Blueprint 3″, it’s nice to imagine what Mr. Carter would have sounded like atop Goose’s quirky, sample-heavy production. Keep your eyes (Alex also specializes in art direction and graphic design) and ears peeled for Alex Goose in 2010, especially with a “proper” release of the Danny! masterpiece just around the corner…hopefully!
While “Bridgework” isn’t exactly classified as “proper release” per se, The Find Mag with assistance from Freddie Joachim and Mellow Orange have pieced together one of the finest mixes that I’ve heard in quite sometime with this week’s release of “Bridgework”. Comprised of Jazz-Hop compositions from the likes of Dela, Othello, Suff Daddy and Joachim himself (oh, and let’s not forget to mention 14KT), this mix is a perfect fit for any occasions, whether it’s a warm summer evening…or, in my case I’ll be playing this in preparation for Thanksgiving dinner (well, at least until the Ghostface vocal sample “when you see me comin’/get the fu*k out the entrance” arises mid-way through the mix (I got kiddddds maaan!). The only beef that I have with “Bridgework” is that it’s just one MP3 with no individual tracks…that’s just me being picky though.
It also may be to early to say you have “slept-on” “Bridgework”, but honestly speaking I’ve slept on the culprits of this mix, The Find Mag! Point blank, there is NO ONE in blogosphere in the past year that has done for underground hip-hop as what the cats at Find have done. I mean, these cats actually developed a magazine that features interviews and articles on artists that the underground follows, yet would never see gracing the pages of XXL or The Source. So my hat is off to you Find Mag, I could only hope that one day I can stroll past the magazine rack in the local grocery and throw and issue of The Find in my shopping cart for checkout.
3. “Are We There Yet?”-Zero Star (Click To DL)
Yet another artist emerges from one of Hip Hop’s overlooked hotbeds, Columbus, Ohio on one of it’s most underrated labels, Weightless Recordings. Zero Star, who’s no “new-jack” to the game, dropped the free EP “Are We There Yet?” (along with the instrumentals) back in the later stages of summer, yet went the EP went largely unnoticed. Featuring production from the likes of K81 (who’s responsible for my favorite track from the EP, “Everybody”) and Lattimore Platz, “Are We There Yet?” is a very solid, if not spectacular 5-song offering from an artist who’ll receive his due shine once his full-length, “Maybe I’m Joking, Maybe I’m Not” (produced by Weightless founder, Blueprint) hits the shelves.
For those that can remember, I’ve been quite a fan of the production techniques of CA’s Cook Classics for a minute, even featuring Nieve & Cook’s “Story Be Told” on last winter’s “Preservation” mixtape. It’s actually very hard to describe Cook’s style, not quite hardcore Hip Hop, yet some of his beats actually have somewhat of a pop, electronic feel to them without losing thier edginess. Cook’s Vimby sponsored mixtape, “The New Classics” actually dropped as a free download near the start of 2010 yet for reasons unexplainable, didn’t hit me eardrums until the early days of this month. I must say, usually I’m somewhat skeptical of albums/mixtapes such as this; albums that feature an overabundance of artists, some of whom just don’t sound at ease atop the contributing beatmaker’s production. However, in the instance of “The New Classics” acts such as underground mainstays Pac Div, Shawn Jackson, Emilio Rojas, Sean Price and Torae sound right at home, flowing effortlessly over Cook’s truly unique productions.
You know what? Jah-I Wintess Emcee’s collection of various tracks with producers from around the world, “The Struggle, The Love, The Glory” may have dropped in December of 2008, yet I’m willing to bet the farm that none of you have given the album a chance despite his solid showing with “Soul Music”. One of my favorite tracks from ’08, “Soul Music” possessed one of the freshest bridges that I’ve heard in quite sometime and the track even had an abundance of anthemic qualities, but for reasons unknown just never seemed to catch on. “The Struggle…” is one of the better albums to emerge from the depths of the CD BABY-type of underground…I’m not talking Dilated Peoples-Underground….I’m talkin’ mom and pops’ store-underground, meaning-if you’ve never seen it mentioned in the blogs you’ll probably never have the chance to experience an album like this. Be sure to peep some of my favorites from the album “Make Money” (f. Range & Kinetic) and “Here In The Ghetto”. Matter of fact, head on over to Amazon.com and give the album a listen and maybe even a purchase (*gasp*). The gift and the curse of “The Struggle..” is that it’s even too underground to search for a download link. Also, I must mention you can get the album on Itunes as well. In any case, Jah offers up a nice mixture of sounds for “The Struggle..”, and I must quote Gita Yegane Arani-May and her take on the album as I share the same sentiments:
“This cd is a real treasure to me. I’m not an expert in the genre, but this is exactly what fascinates me: it’s special to find the type of music that you love no matter from which style you yourself come. The Struggle, The Love, The Glory by Jah-I-Witness fulfills this criterion. One loves this music independent of ones own musical background. Good music can bring people together.”
The Ohio-based production duo, The Kickdrums are notorious for spending hours in recording studios to tweek just that right sound to perfection. That same work effort and persistance led to an energetic, percussion-friendly sound embraced by many Hip Hop artists, ranging from Slaughterhouse to Lupe Fiasco. However, their trademark style was surprisingly not the dominant sound of The Kickdrums’ debut EP, “Just A Game” As recording artists, the duo of Alex Fitts and Matt Penttila strived to prove that they were more than just creative Hip Hop producers with this release. “Just A Game” ends being a little more on the Rock/Alternative side of the playing field, yet you can still feel the Hip Hop influence on the majority of the album’s 10 cuts, especially on the album’s pulsing title track. While the Kickdrums have already proven themselves capable as producers, “Just A Game” showed that they are an extremlely versatile production duo that will be around for years to come.
You may have seen Skip Whitman in these pages waaaay back in the summer of 2007, following the release of “Free Agent”. Impressed with the flow and delivery of this Boston emcee, I’ve always kept up with this musical output. Needless to say, Skipp didn’t disappoint with the release of his Richard Pryor (!) hosted mixtape, the appropriately titled “Skipp Whitman vs. Richard Pryor”. Normally, this type of mixtape, one where an artist borrows instrumentals from the likes of J-Dilla, ‘Ye, etc., isn’t exactly my cup of tea. However, Skipp is one of the more lyrically-clever emcees that you’ve never heard of. The kid who proclaims he’s “whiter than a batch of sold out G-Shocks” keeps you eager to listen with his clever, sometimes comedic punchlines that are a perfect fit with the Richard Pryor excerpts that are inserted between tracks. Matter of fact, I think the Richard Pryor camp pulled this version of the mixtape, but you can get it here while it last. Happy Thanksgiving! Now, can we get another album Skipp?
Not to be confused with W.T.R. fav, Ill Poetic, this three man crew comprised of The 4th, 808 (Stop 1) and Ivisuai took it back to 1993 with their free AMG (Advantage Music Group) EP. The highlight of this free ep from their label arrives via the soulful, “Touch”. A track that features the gritty-Wu-Tang (circa 1993) feel that I can only hope comes back to Hip Hop in due time, “Touch” makes you wish that this was more than just a 5-song EP. The triumvirate of Ill Poetix has me eagerly anticipating more quality music from the crew in 2010. If there’s more to come in the same vein as “Touch”, which was also produced by my dude Sci-Fi (whom some of you may recognize from his work with tha Connection), then allow me to get a ticket for that train ride!
DMV MC/Producer Charlie Ross, hot off the heels of the success and notoriety of Diamond District’s “In The Ruff”, dropped his very own “project”, one that was oddly enough birthed in Okinawa, Japan. To be honest, this is the first I’d heard of Charlie, and hopefully it won’t be the last. The project was presented by yU of Diamond District, whom I sure you know, dropped probably what is my favorite album of 2009 with “Before Taxes”. Sonically and lyrically, this is exactly the kind of music I treasure most. “The Charlie Ross Project” features your traditional thump in the trunk coupled with a spaced out electronic flair and a hint of jazz. The beats are some of the best that I experienced in 2009, especially with the thumping, airy “What A World”. Also, with forthcoming project with the likes of the aforementioned yU (“Done Deal” EP) and Charlie’s very own “Crate Music” beat tape, it’s only right that the DMV will keep on churning the quality of music that they did this past year.
The solo mixtape from the DMV’s very own, XO was definitely a “grower” for me. Upon first hearing “RealMatic”, I must admit, out of all three of the emcees in Diamond District (yU, Oddisee and XO), XO definitely had the most D.C. flavor of the whole group because of his multiple tracks with go-go inspired beats (”Intro”, “Get Get”,”Not To Be ****ed With”). Prior to this release, I was usually skeptical of go-go beats in Hip-Hop, outside of Wale. However, XO definitely didn’t beat a dead horse or misuse them in the least. Also, there’s more to the album than just the “go-go” inspiration as several songs feature your more traditional “call and response” Hip-Hop (”Get Rich”, “Money Calling”, “I Made It”). It’s on those same tracks that find XO making the easy transition, showcasing his cadence and grimey delivery. XO has very few features on the tracks which gives him a chance to showcase his own lyrics and only one track, “Not To Be ****ed With”, has more than one person featured. PS..if you haven’t copped Diamond District’s “In The Ruff” yet, you lose.
Wait? What? We are half way through the year? Ya gotta be shitting me…. Well crap, I guess that means I should get my shit together and do my “Half Way There” post that covers all my favorite releases as far as EPs, Instrumentals albums, and full fledged albums (I haven’t decided if I’m going to waste my time with a mixtape category, I’m getting to really hate those things for the most part). It’s an excuse to come up with some lists, what can I say? It’ll be a week long thing, as I try to bang out a bunch of posts over the weekend so I can catch up with other shit that I need to do, questions, type out interviews, bios, and assorted other things. I never get caught up, it never stops.
Today, well kick out the top 10 EPs for the first half of the year. I love a good EP, something I can sit down and a half hour later, when my ADD has totally kicked in, I can move on to the next thing. In this age of shortened attention spans and the shuffle button on the iPod, not many of us can sit down with the same album over the hour and just listen to it. Yes, I do have my listening sessions each evening, but I usually end up doing something while I’m listening, whether it be surfing the net, organizing files on my computer or doing what I’m doing right now, working on the damn blog. Plus a lot of EPs can be found for free on the net. Myself personally, I’d rather listen five or six songs from an artists, than a cat rhyming over every classic hip hop beat, 10 songs that weren’t going to make the album, for 25 songs on a mixtape that I will probably never listen to, so I appreciate the free EP as a marketing tool a lot more than the mixtapes in most cases.
When I started thinking about the EPs of the first half of 2009, I was kinda disappointed. I was thinking they were kind of slow, but when I sat down and pounded a list, I had a hard time. There were several EPs that I had to leave off that contain good music. Overall, it was a strong crop of EPs and like I said, most of these are free music, released by the artists to just keep their name out there. Without further ado, here is the “Top 10 EPs for the ADD Inflicted of 2009″
10. (TIE) ScholarMan – A Meeting With Andre Kostelanetz
Sounds Like: Hip-Hop meets classical music, which is what it is, ScholarMan rhyming over beats made from the music of the late Russian composer Andre Kotelanetz.
Summary: While my knowledge of classical music doesn’t run all that deep, I do have some knowledge of it. My Freshman year in college, I had to take a Intro To Music class, which basically covered the history of music. They made us buy this 10 tape collection of different periods of music, and the way I got through it was to listen for stuff to sample for a hip hop beat in the whole thing. So basically, I’ve had a fondness for tracks that use the classical/orchestrated vibe, and that’s all this EP is from WYDU favorite, ScholarMan. “A Meeting With Andre Kotelanetz” was a brain child from ScholarMan after listening to a record from the late composer. The beats are nothing short of great, with lots of strings layered over hard drums. On the mic, you know what to expect from ScholarMan with his monotonous flow, which works quite well with this type of project.
Favorite Tracks:“Well Orchestrated”, “Not Give Up”
Sounds Like: Straight up hip hop beats & rhymes. No gimmicks, no cutesy dance moves, just Serge kicking lyrics for days over solid beats.
Summary: Earlier this year, my man Gen Erik of Animal Farm let me know they were going to be in Boise to do a show. I told him I’d bring some cats and check it out. The day of the show, he emailed me saying he wasn’t going to make it, but check it out anyway and he’d make sure we got on the guest list. He said half of Animal Farm would be along with fellow Focused Noise artists, Mic Crenshaw and Serge Severe. After waiting around for ever and putting up with a HORRIBLE turnout, we caught Serge’s set and I was quite impressed with it. I’d already known about him through his Concrete Techniques LP from last year, but its good to catch acts live. Soon after, we ran a WYDU Spotlight on Serge, and with that, we posted up his free Orangutan Slang EP that shines some light on tracks that didn’t make the Concrete Techniques project. Why not, I’m not totally sure, because there is some great tracks on this project. It has no gimmicks, just an MC rhyming over the beat, so for those of you that need flash with your hip hop, this isn’t it. Those who just want rhymes and beats, this is what you seek.
Favorite Tracks:“Knock Knock”, “Microphone Mandhandler”, “Wit The Flow” (WHY OH WHY is this track so short?)
Sound Like: Throw some raw dinginess sound of Black Moon, toss in some numerous early 90′s hip hop and add a dash of the 2000′s in it and you have yourself some dirty, dusty hip hop for the 2000′s.
Summary: Could it be that I show Whygee, Sunkenstate & Kid Hum a little “hometown” favoritism (I consider Denver my second home)? Nah, they deserve all the shine that I’ve given them over the last six plus months. I would put Whygee up against any MC from any hotbed of MCism and I’d put Kid Hum’s beats against anyone elses out there as well. The Suicide Watch EP was shipped over to me by either Kid Hum or Whygee (I can’t remember which one now) in late December, and after listening to it, I was very impressed the EP that they had crafted and the fact they were from Denver was an added bonus. The EP has steadily gained plays from me over the past six months, an opposite of what usually happens.
Sound Like: A new millennium, northwest version of Native Tongues. Yes, it’s a big compairison, but they deserve it. Common Market are favorites of many of the underground blogs, such as WYDU. Producer Sabazi is quickly becoming one of the best underground producers east of the Pacific Ocean. The EP, Winter Ends, picks up where their full length album, Tobacco Road, left off with dope beats and thought provoking lyrics. Scion tackles everything from suicide to cheating death itself. Probably not your typical hip hop subject matter, but that’s what draws me to their music. Coming in at five short and quick songs, Winter Ends still packs a punch and get you geeked up for the next release they plan on dropping.
Sounds Like: A white version of Breezly Brewin’ over butter smooth beats
Summary: (Yes, it’s a cheap rip off of last Friday’s post, but you get the jest). Long time WYDU readers will recognize this Yonkers MC, Mouth Blocks. We did a WYDU Spotlight on him late last year and the dude’s EP stayed in my rotation for a few months after that (which is no small feat). Well Mouth Blocks is back, with another EP, this time totally free. Produced by Evolve-One, the smooth mellow beats are perfect for the ruff, yet smooth flow of Mouth Blocks. Lyrically, he won’t “wow” you, but he brings stuff to the table that most cats can relate to. The songs are all under three minutes, so those with the short attention spans can whip right through a song and the EP in no time flat. Cats that get down with rhymes about just trying to get through life will no doubt dig this little EP. It comes highly recommended by myself and WYDU…
Favorite Tracks: “Can’t Deny Me”, “How You Doin, My Friend”
Welcome! Sit down, have a glass of lemonade, and while you’re at it, sample some of our fine rap music, aged underground in dusty electronic equipment according to a cherished week and a half old family recipe. Imported directly from our very own slum in Yonkers, New York, in conjunction with California’s Evolve-One, this rap music meets the highest standards in excellency set forth by Local 108 Crossing Guard’s Union. We’re so confident that you’ll enjoy Mouthblocks’ free download of “It Takes One to Know One”, that for a LIMITED TIME we’re offering a MONEY BACK GUARANTEE, if you enclose three fortune cookie fortunes in a S.A.S.E. addressed to yourself, and text 07734 07734 to Mouthblocks’ disconnected cellphone. (offer only valid on Christmas day to residents of Puerto Rico)
Oh, yea, haters can suck an egg and critics get the di-dick. And if that makes me a jerk, well…
IT TAKES ONE TO KNOW ONE
Kind Regards, Silvio ZwoechenkoHead of MarketingBaby Grey ProductionsYonkers, NY Download:It Takes One To Know One for Free: http://mouthblocks.com/
Sounds Like: “The Real Shit”, with horns, classic hip hop production done by a mad Scott, Sci-Fi, and the MCs are part of the reason why you should always check for music you’ve never heard of before.
Summary: I get a lot of music in my inbox and I honestly try to listen to most of it. I love finding new music. Sci-Fi (who should be familiar to those that jam Tha Connection releases as he has done several songs with the NY crew) hit me up about a three man crew out of the States named Ill Poetix that he was doing the production for. The trio was is also on his Advantage Music Group label and wehn I checked out a myspace page link he gave me, the song “The Touch” was the first track I heard and I was immediately hooked. The thing is, it’s not just that song though that is dope, all five tracks should be on a person’s iPod, but you will be seeing “The Touch” high up on the year end list for my favorite songs. Comprising of MCs The 4th, 808 (Stop 1) and Ivisuai, the group is definitely a group that I will be waiting impatiently for new music from.
Favorite Tracks: “The Touch”, “What Y’all Waitin’ For”
Sounds Like: A combination of a lot of jazzy groups you’ve heard before and nothing like you’ve heard before. Upbeat, jazzy, and generally feel good music.
Summary: The new free EP from The Physics barely sneaked in under the deadline and I’ve been playing it almost daily since Tunji from Inverse sent it to me. Representing the great Northwest, a region I call home and always anxious to promote the great music coming out of the area, The Physics drop a fun, jazzy and catchy album (check “I Just Want To Beat” and tell me you weren’t singing it afterwards). After doing some research, I noticed they had a full length release in ’07 that completely got by me. If it’s anything like High Society, it might be worth tracking down.
Click on the album cover to download High Society for free!!
Two years after the release of their critically lauded full length debut, Future Talk, Seattle-based hip hop group The Physics are back with June 2009’s release of High Society, an eight track EP of new material representing a natural progression both musically and personally. Steeped heavily in references to jazz and soul, Just D’Amato’s production (alongside Phee Dill & Dyalect) provides the smoothed-out backdrop against which lyricists Thig Natural and Monk Wordsmith (absent from Future Talk but a notable presence here) do their thing and do it with skill. Featuring guest appearances by beastly Seattle MCs Language Arts (“Back Track”) and Macklemore (“Good”) as well as one of the year’s most buzzed about local duos, the fresh-as-all-hell females of Thee Satisfaction (“Radio Head”), High Society dims the lights on the laidback aesthetic established in Future Talk and invites the listener to get real grown—and enjoy it. While this EP may feel like a main course, don’t get it twisted: it’s merely just a taste of what’s to come, a prelude to an additional as-yet-untitled release slated for later in the summer.
4. Brother Ali – The Truth Is Here
Sounds Like: Political, lyrical, assertive, underground, all over thick bass lines and catchy loops.
an style="font-weight: bold;">Summary: I’ll admit that I’m not usually a Brother Ali fan. Yes, I like Ant’s beats, and I think he is one heck of a lyricist, but his voice usually ends up grating on me before the end of an album. This time around though, I was impressed enough with everything else involved that it made his voice easier to get with. It’s not even that it’s an EP, it clocks in at nine songs, it’s just good music all the way around, with “Palm The Joker”, “Philistine David“, “The Believers”, and “Baby Don’t Go” all getting extended plays from me this year.
Favorite Tracks:“Philistine David”, “Palm The Joker”
Sounds Like: The Ventures meets Billy Joel meets Louis Logic (before he “became” Louis Dorley) Summary: No, it’s not the new Louis Logic project. It’s the Louis Dorley and Beatman & Rockin’ project. When one reads the biography of their latest EP, Beaches Love Us, one has to kinda wonder how something that is a “live band that fuses 60s surf rock with balkan, afro beat and hip hop styles,” will actually sound. The answer? Pretty damn good, if you have an open mind when listening to your music. It’s something different and the fusion of the smorgasbord of musical flavors works really well. Coming in at a mere four songs, it’s like a good carnival ride, just when the good part gets going, it’s over. That’s a good sign though, wanting more. True, you have to have an open mind when it comes to Louis’ new direction, but for those of you that listen to more than hip hop or at least can respect other musical sounds, Beaches Love Us is a fun EP to listen to. You have to wonder what a whole album will be sounding like, hopefully we won’t have to wait too long.
Favorite Tracks:“Black Widow”, “Blast From The Past”
2. Has-Lo – You Can Live Thru Anything If Magic Made It
Sounds Like: The RZA had a son with a Ninja princess and gave him an MPC to play with
Summary: I’m not sure if I should call this an EP, a remix project (which it clearly is I supposed) or a mixtape. I will call it a damn good effort. We all knew Has-Lo could rap, and if you were into his music at all, you had heard his production, but did you really KNOW he could produce? Well, Has made sure you knew it after releasing his free EP, You Can Live Thru Anything If Magic Made It. Taking some hip hop classics, personal favorites and other goodies, Has made them his own by putting some of his dusty analoged funk on them. Tracks like Big Pun’s “Leather Face”, Ghost’s“Love Session” and Nas’ “Shootouts” all get bottom heavy, pounding drums boost from Hassy Davis. What’s next? Time shall see……
01 Intro 02 Big Pun – Leather Face (has-lo remix) 03 O.C. – Time’s Up (has-lo remix) 04 Royce Da 5′ 9, Elzhi & Supastition – Best To Do It (has-lo remix) 05 Cormega – Montana Diaries (has-lo remix) 06 Interlude #1 07 Ghostface Killah – Love Session (has-lo remix) 08 Sean Price – Onion Head (has-lo remix) 09 Common – Chi City (has-lo remix) 10 Nas – Shootouts (has-lo remix) 11 Outro 12 (Bonus Track) Tree Woodz – Move the Crowd (has-lo remix)
1. Poorly Drawn People – Motion Not Emotion
Sounds Like: Jim Morrison came back to life and started a rap group Summary: Sometimes I worry if my personal interaction with artists sometimes skews my view of their music. Case in point with Poorly Drawn People, which is the group Storm Davis is a part of. Storm is an MC that I’ve had a good blogger/artist relationship over the past two years. I like dude cause he reminds me of my good friends and of someone that I would get a long with real well. So when PDP dropped Motion Not Emotion, I gave it a listen, and actually was planning on being harder on it than the av
erage submission, just because I didn’t want people to accuse me of favoritism (not that I give a rats ass what people think). After the first listen though, I knew that this was a good, nah it was a GREAT, release.
I hated to include this as an EP, although that’s what the four man group of Storm Davis, Reason, Dox, and DJ Sterbyrock label it. The truth is, this is one of my favorite projects of any sorts this year. I’ve been blasting their music since running across Storm Davis’ solo album, Kegstand Poetry for The Recovering Alcoholic, back in ’07. We started talking and he let me know about the rest of his crew. From there, PDP’s mixtape, Nothing Stays Gold, dropped in 2007 and last years Shoot For The Stars, Hit The Ceiling got major play on the iPod/car stereo, discman, computer and home stereo.
Well, they graduated from the mixtape scene to an EP, but it’s got the flavor and cohesiveness of a full fledged album in the form of Motion Not Emotion. Coming in at tweleve songs, you get the typical PDP tongue in cheek humor, John Friesz name drops (props to whoever knows that name), missed women (and it’s fuckin’ annoying….listen to the song) and sound drops from “Better Off Dead”, the classic 80′s movie. They take everything you liked (or will like) about their mixtapes and put it all on one project. If you have heard them in the past, this needs to be heard. If you haven’t heard of Poorly Drawn People, then you needs to hear this…..
Favorite Songs: Stress Filled Days, Might Blow Up, Ain’t Hard To Make a Million Dollars, Stealer’s Wheel, Better Off Dead, Motion Not Emotion
If you download it (and this is a totally legit download) and you like it, hit up them up and purchase a hard copy, you know those disc things that you can play in those disc thing players. Or just cop a shirt….either or.
01- Stress Filled Days [04:11] 02- Might Blow Up [03:50] 03- Aint Hard To Make a Million Dollars [04:25] 04- A Quarter Milli [00:38] 05- Sawbucks and Fins Ft ESH [04:33] 06- Stealers Wheel [03:30] 07- Elmer’s Lament Ft Labeless Illteligence [04:03] 08- Celebrity Rehab [03:39] 09- Way With Words [04:36] 10- Better Off Dead [03:42] 11- Static [04:20] 12- Motion Not Emotion [05:56]
